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de opstanding pieter lastmanReproductie La Rsurrection Pieter Lastman Boeiende introductie In het rijke en complexe panorama van de kunstgeschiedenis onderscheiden sommige werken zich door hun vermogen om de tijd te overstijgen en diepe emoties op te roepen. "De Opstanding" van Pieter Lastman is een van deze meesterwerken, dat niet alleen een belangrijk moment uit de christelijke traditie illustreert, maar ook door zijn artistieke behandeling uitnodigt tot reflectie over de aard
Reproductie La Résurrection - Pieter Lastman – Boeiende introductie In het rijke en complexe panorama van de kunstgeschiedenis onderscheiden sommige werken zich door hun vermogen om de tijd te overstijgen en diepe emoties op te roepen. "De Opstanding" van Pieter Lastman is een van deze meesterwerken, dat niet alleen een belangrijk moment uit de christelijke traditie illustreert, maar ook door zijn artistieke behandeling uitnodigt tot reflectie over de aard van spiritualiteit en het leven zelf. Dit werk, doordrenkt met symboliek en dynamiek, slaagt erin de essentie van de opstanding vast te leggen met een verbluffende intensiteit. Het transporteert ons naar een universum waar licht en schaduw samen dansen, en de kracht van de boodschap die het uitstraalt, onthult. Stijl en uniekheid van het werk Pieter Lastman, meester van de 17e-eeuwse Nederlandse schilderkunst, onderscheidt zich door zijn narratieve en dramatische aanpak. "De Opstanding" is een treffend voorbeeld van zijn stijl, die realisme en barokkunst vakkundig combineert. De personages, zorgvuldig geplaatst in het schilderachtige landschap, lijken tot leven te komen onder het effect van een stralend licht dat hen omhult. De compositie, evenwichtig en dynamisch, leidt de blik van de kijker door een scène vol details. De uitdrukkingen van de personages, afwisselend doordrenkt met sereniteit en verrassing, getuigen van een uitzonderlijke beheersing van menselijke emoties. Lastman slaagt erin een visuele dialoog te creëren tussen het heilige en het profane, waardoor dit werk toegankelijk en diep ontroerend is. De kunstenaar en zijn invloed Pieter Lastman, vaak beschouwd als de mentor van Rembrandt, speelde een cruciale rol in de ontwikkeling van de Nederlandse schilderkunst. Zijn vernieuwende benadering van visueel vertellen inspireerde vele kunstenaars van zijn tijd en latere generaties. Door elementen uit mythologie en religie in zijn werken te verwerken, wist Lastman een publiek te boeien dat hunkerde naar visuele verhalen. "De Opstanding" vormt hier geen uitzondering; het belichaamt zijn verlangen om universele thema's te verkennen via het prisma van het geloof. Dit werk getuigt van de blijvende invloed van Lastman, die nog steeds kunstenaars uit de hedendaagse kunstwereld blijft inspireren, op zoek naar een samensmelting van techniek en emotie in hun creaties. Een uitzonderlijke wanddecoratie ondertekend door Artem LegrandShipping Notes
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4.1 ★★★★★
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★★★★★ 5
you will start wondering if this is real of sc-fi
Format: Paperback
Great book to read and see what potentially could be there. Its raw description of races without any bigger context, but this is what almanac is. Its not a story book. It gives glimpse of possibilities and and insight into political structure in the universe, what is good, what is bad - but that's just a glimpse without going deep in it leaving reader with impression: "OK, i want more!" and "ok, were to get more details on governance and technology, metaphysics, religion"? It's well organized. One thing that will come after reading is question: Is it really something real that is hidden in government secrets or its new branch of SC-FI?
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Reviewed in the United States on November 16, 2022
★★★★★ 5
Human-being ET celebration!
Format: Paperback
What made this book so fascinating and essential to my collection is the amount of Human Being looking humanoid off worlders who have visited our planet…it is so fascinating.
Most of the time you hear, simply about the Pleiadians when the word Nordic is brought up. This goes so much further into the diversity of systems out there that human beings exist within.
Highly recommended.
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Reviewed in the United States on May 29, 2025
★★★★★ 5
An Amazingly Wise Book
Format: Paperback
Trauma, in fact, intergenerational trauma that has not been metabolized, is a recipe for racism. As a psychotherapist with over 50 years addressing trauma and the need for decolonization therapies that go far beyond what is customarily taught in universities, My Grandmother's Hands is the clearest guide I have come across to help suffering individuals "grow up" as Resma Menakem respectfully says.
This is a profound, wise, brilliant, compassionate, and exceptionally insightful effort to confront our body's pain as well as that of our families, communities, and our American culture. When we grow as individuals we will also grow as communities -- what Martin Luther King Jr. referred to as "the beloved community."
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Reviewed in the United States on May 25, 2026
★★★★★ 5
A must read for therapists and everyone else
Format: Paperback
As a psychologist who works primarily with individuals in marginalized communities, I see a lot of clients who have experienced historical, intergenerational, developmental and ongoing current trauma, often as a result of systems of oppression (racism, sexism, homophobia, transphobia, etc.). I was very excited to dive into training in somatic experiencing (SE), a "bottom up" approach to trauma treatment that recognizes the ways that traumatic experiences get stored in the body, and therefore need to be healed through the body.
However, I was disappointed to find that most of the books on SE, as well as the trainings themselves, rarely if ever mention racism or other systems of oppression and the trauma they cause. This was such a disappointment to me, especially given that racial trauma is so prevalent in the everyday lives of my clients and perpetuated daily by the current political climate.
Therefore I was thrilled to discover this book. Resmaa Menakem filled in the gap I was feeling in the SE literature, applying somatic experiencing to racial trauma and the ways that racism impacts the bodies of white people, black people (and all people of color), and those who are charged with "serving and protecting" us, the police. This book was a huge eye opener for me. Not only did it give me compassion for my own white body and the ways that trauma has been metabolized and passed on from white folks to POC through the mechanisms of white supremacy, but it gave me new and more embodied ways to understand the lives of people of color and work effectively with my POC clients. It also gave me new compassion for cops, who, through their own trauma responses and the effects of white supremacy, are now more like soldiers whose mission is to control and suppress black and brown bodies. Although I will continue to feel outrage and grief at every unnecessary police killing of an innocent man or woman of color, this book helped me to remember that we are all impacted by centuries of white supremacy conditioning and that cops need and deserve healing around racial trauma too.
I highly recommend this book to therapists and healers, especially those who work with individuals in marginalized communities. Each chapter provides exercises to embody the learning in the chapter, so that healing is happening not just from the top down, but from the bottom up. There are exercises for individuals and groups, for white bodies, POC bodies and police bodies. The book is extremely timely and relevant and should be required reading for anyone wanting to understand more about the history and current conditions of racism in America, its impacts, and how to heal.
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Reviewed in the United States on September 3, 2018
★★★★★ 5
Think of racism as a moral failing isn’t helpful. Instead, think of it as a trauma response.
Format: Kindle, Format: Kindle
If we are willing to stop and listen to the voices of these people, both in the streets and in their writings (for generations now), we will hear them tell us their experience. And their experience is horrific. Some of us will turn away, finding solace in justifications (“He should have complied!”) or distancing (“My family was poor too. None of my family owned slaves.”) But if we care about a sustainable future for our country, if we have the smallest shred of a sense of responsibility for our neighbor, or if (like me) we claim to follow Jesus, the one who taught us to love our neighbor as ourselves, and to put other people’s lives before our own, then we must listen.
In My Grandmother’s Hands, Resmaa Menakem comes to this conversation from a different and very helpful angle. He suggests that three groups are clashing in our country today: black-bodied people, white-bodied people and police. He suggests that the animus, reactivity, and often explosive violence between these groups is in fact the result of unprocessed trauma. He digs deep into the story of each of these groups to demonstrate the primary and secondary trauma each group carries. Then he talks about the process of trauma retention and how, if we fail to understand and process our trauma, we inevitably become less flexible, more reactive, and more violent. He suggests that the solution to our problem is not solely in education, awareness or even new policies, but in becoming more aware of our bodies, learning how to handle and process trauma, and becoming more resilient in our interactions with other traumatized people.
This is the first book about racial injustice that I’ve read where I finished feeling like I could actually make a difference. I’m not a policy maker. I’m not able to be a regular front-line activist. I don’t have piles of money to spend at Black-owned businesses. It’s easy to feel like my small contribution can’t possibly make a real difference. But Menakem suggests a path that any one of us can walk--coming to terms with our own experience of racialized trauma -- and this will open up the path for other ways we can be a part of creating a more just, compassionate, and equal society.
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Reviewed in the United States on July 23, 2020