SKU: 82843173679

Riccardo Chailly - The Art Of Riccardo Chailly (16xCD + Box, Comp)

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Riccardo Chailly - The Art Of Riccardo Chailly (16xCD + Box, Comp)Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Comments: SEALED , brand new copy General notes about this release (please note: our version may differ a little. see the comments above): CD1: Recording: Jesus Christus Kirche, Berlin, June 1984; (P) 1985 Decca Music Group Limited. CD2: (P) 1985 Decca Music Group Limited. CD3: (P) 1981 Decca Music Group Limited. CD4: Recording: Concertgebouw, Amsterdam, January 1987; (P) 1988 Decca

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Comments:
SEALED , brand new copy

General notes about this release (please note: our version may differ a little. see the comments above):
CD1: Recording: Jesus-Christus-Kirche, Berlin, June 1984; (P) 1985 Decca Music Group Limited. CD2: (P) 1985 Decca Music Group Limited. CD3: (P) 1981 Decca Music Group Limited. CD4: Recording: Concertgebouw, Amsterdam, January 1987; (P) 1988 Decca Music Group Limited. CD5: Live Recording: Gewandhaus zu Leipzig, September 2006 (Overture), January 2009. Publishers: Breitkopf & Haertel, Wiesbaden (Symphony), Copyright Control (Sketch), Casa Ricordi, Milano (Concerto), Bärenreiter Edition, Kassel (Overture). (P) 2009 Decca Music Group Limited. CD6: Recording: Chiesa della Pace, Milano, February 1995. Publishers: Casa Ricordi, Milano (1, 3-6, 10), Edition Peters (8), Carish, Milano (2), Edizioni Musicali otos, Firenze (7, 9). (P) 1996 Decca Music Group Limited. CD7: Recording: Grotezaal Concertgebouw, Amsterdam, May 1995 (Concerto), May 1997 (Mandarin). Publishers: Boosey & Hawkes Music Publishers (Concerto), Universal Editions AG, Vienna (Mandarin). (P) 2001 Decca Music Group Limited. CD8: Recording: Masonic Auditorium, Cleveland, Ohio, November 1985. Publishers: Warner/Chappel Music. (P) 1987 Decca Music Group Limited. CD9: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1997; (P) 1998 Decca Music Group Limited. CD10: Recording: Concertgebouw, Amsterdam, August 1986. Publishers: MCPS (Ravel, Debussy), MCPS/Boosey & Wawkes Music Publishers Ltd. (Mussorgsky). (P) 1987 Decca Music Group Limited. CD11: Recording: Jesus-hristus-Kirche, Berlin, April 1987 (1), Grotezaal, Concertgebouw, Amsterdam, December 1990 (2-6), January 1992 (7), May 1995 (8). Publishers: Universal Edition AG, Wien (7, 8), C.F. Peters Corp. (2-6). (P) 1987 (1), 1994 (2-7), 1996 (8) Decca Music Group Limited. CD12: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1992 (Pulcinella), October 1993 (Petrushka). Publishers: Edition Russe de Musique (Pulcinella), Boosey & Hawkes Inc. (Petrushka). (P) 1995 Decca Music Group Limited. CD13: Recording: Concertgebouw, Grotezaal, Amsterdam, April 1992 (Arcana), December 1996 (Amériques, Nocturnal), May 1998 (Turning Up, Un Grand Sommeil Noir). Publishers: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Noir) Editions used: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Nori, Orchestral transcription (C) Antony Beaumont). (P) 1994, 1998 Decca Music Group Limited. CD14: Recording: Auditorium di Milano, August 2004; Publishing: Casa Ricordi, Milano; (P) 2004 Universal Music Italia srl. CD15: Recording: Grotezaal, Concertgebouw, Amsterdam, March 1992; Publisher: Durand & Cie, Paris; (P) 1993 Decca Music Group Limited. CD16: Recording: Giandomenico Studios, Collinswod, New Jersey, December 1995. Publishers: Boosey & Hawkes Music Publishers ltd (Cheryomushki); Hans Sirorski Musikverlag (Bolt, Gadfly). (P) 1996 Decca Music Group Limited. On box: This product (P) 1981, 1985, 1987, 1988, 1993, 1994, 1995, 1996, 1998, 2001, 2009 Decca Msusic Group Limited (P) 2004 Universal Music Italia srl. (C) 2012 Universal Music Italia srl. Booklet: Universal Classics & Jazz A division of Universal Music Italia srl (P) and (C) 2012 Universal Music Italia srl. Made in the E.U. Cardboard box contains the CDs in separate, same artwork, wallets and a 40-page booklet in English and Italian.

 

. Anton Bruckner
. Symphony No.7 In E Major
. Peter Ilyich Tchaikovsky
2-1. Romeo & Juliet, Fantasy Overture 19:36
2-2. Francesca Da Rimini, Symphonic Fantasy 22:54
. Symphony No.5 In E Minor, Op. 64
. Antonín Dvořák
4-1. Carnival Overture, Op. 92 9:15
. Symphony No.9 In E Minor, Op. 95 From The New World = Dal Nuovo Mondo
. Felix Mendelssohn
. Symphony No.3 In A Minor, Op. 56 "Scottish" = "Scozzese" (London Version, 1842)
5-5. Opening Sketch Of "Scottish" Symphony (1829/30) 0:55
. Piano Concerto No.3 In E Minor (1842/44)
5-9. Overture "The Hebrides" = "Le Ebridi", Op. 26 ("Fingal's Cave" = "La Grotta Di Fingal") (Rome Version, 1830) 11:25
. Gioachino Rossini
. 10 Overtures
6-1. Guillaume Tell 11:31
6-2. Il Signor Bruschino 4:26
6-3. Bianca E Falliero 6:17
6-4. Il Barbiere Di Siviglia 6:47
6-5. Armida 5:35
6-6. Semiramide 11:20
6-7. L'Inganno Felice 5:32
6-8. Matilde Di Shabran 8:51
6-9. Demetrio E Polibio 5:41
6-10. La Gazza Ladra 9:04
. Béla Bartók
. Concerto For Orchestra (Sz 116, BB 123)
. The Miraculous Mandarin = Il Mandarino Meraviglioso, Op. 19 (Sz 73, BB 82) (Pantomime In One Act) 31:36
. George Gershwin
8-1. Rhapsody In Blue (For Two Pianos And Orchestra) 16:03
8-2. Lullaby (For String Orchestra) 7:56
8-3. An American In Paris 17:41
8-4. Cuban Overture 10:36
. Gustav Mahler
. Symphony No.5 In C Sharp Minor
. Maurice Ravel
10-1. Boléro 14:28
. Claude Debussy
10-2. Sarabande 5:15
10-3. Danse 5:11
. Modest Mussorgsky
. Pictures At An Exhibition = Quadri Di Un'Esposizione 33:03
. Arnold Schönberg
11-1. Verklärte Nach = Notte Trasfigurata 29:57
. 5 Orchesterstücke = 5 Pezzi Orchestrali, Op. 16 (1949 Version)
. Anton Webern
11-7. Passacaglia, Op. 1 11:37
. Alban Berg
11-8. Sonata, Op. 1 - Mässige Bewegt 12:19
. Igor Stravinsky
. Petrushka (1947 Version) (Burlesque In Four Scenes)
. Pulcinella (Ballet In One Act)
. Edgard Varèse
13-1. Tuning Up 8:00
13-2. Amériques (Original Version) 24:38
13-3. Poème Électronique 8:02
13-4. Arcana 18:22
13-5. Nocturnal 10:25
13-6. Un Grand Sommeil Noir 4:08
. Luciano Berio
. Orchestral Transcriptions = Trascrizioni Orchestrali
14-1. The Modification And Instrumentation Of A Famous Hornpipe As A Merry And Altogether Sincere Homage To Uncle Alfred 1:02
14-2. Contrapunctus XIX (Die Kunst Der Fuge) 8:34
14-3. Quattro Versioni Originali Della "Ritirata Notturna Di Madrid" (Sovrapposte E Transcritte Per Orchestra) 6:28
14-4. Variations On The Papageno's Aria "Ein Mädchen Oder Weibchen" (Divertimento Per Mozart) 2:34
. Rendering For Orchestra
. Sonata For Clarinet And Orchestra In F Minor, Op. 120 N. 1
. Olivier Messiaen
. Turangalîla-Symphonie (For Piano Solo And Large Orchestra) (1946-48)
. Dmitri Shostakovich
. Moscow-Cheryomushki (Suite From The Operetta, Op. 105)
. The Bolt = Il Bullone (Suite From The Ballet, Op. 27a) (1934 Version)
. The Gadfly = Il Tafano (Excerpts From The Film Music, Op. 97) (Original Orchestration)

 

Barcode and Other Identifiers:

Barcode 0 28948 06774 9
Rights Society S.I.A.E.
Other 480 6776
Other 480 6777
Other 480 6778
Other 480 6779
Other 480 6781
Other 480 6782
Other 480 6783
Other 480 6784
Other 480 6786
Other 480 6787
Other 480 6788
Other 480 6789
Other 480 6791
Other 480 6792
Other 480 6793
Other 480 6794
SPARS Code DDD

 

Phonographic Copyright (p) Decca Music Group Limited
Phonographic Copyright (p) Universal Music Italia s.r.l.
Copyright (c) Universal Music Italia s.r.l.
Record Company Universal Classics & Jazz
Recorded At Jesus-Christus-Kirche, Berlin
Recorded At Concertgebouw, Amsterdam
Recorded At Gewandhaus
Recorded At Chiesa Della Pace, Milan
Recorded At Masonic Auditorium, Cleveland
Recorded At Auditorium di Milano
Recorded At Giandomenico Studios, Collingswood, New Jersey
Published By Breitkopf & Härtel
Published By Copyright Control
Published By Casa Ricordi
Published By Bärenreiter-Verlag
Published By Edition Peters
Published By Edizioni Carish
Published By Edizioni Musicali Otos, Firenze
Published By Boosey & Hawkes Music Publishers Ltd
Published By Universal Edition AG
Published By Warner/Chappell Music
Published By C.F. Peters Corp.
Published By Édition Russe De Musique
Published By Boosey & Hawkes, Inc.
Published By Éditions Salabert
Published By Durand & Cie.
Published By Hans Sikorski Musikverlag
Pressed By EDC, Germany

Data provided by Discogs
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I like the scrubby side more then the soft side, fits great in the hand, washing doesn’t ruin the durability or feel and the pack is a great deal!
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Reviewed in the United States on October 31, 2022
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Renegade Rebel
Houston, US
★★★★★ 5
Made in America nano-hydroxyapatite Toothpaste that's Well Worth Buying.
I've been using the Japanese brand Apagard Premio toothpaste for a couple of years now and now I've tried this Boka toothpaste while looking for alternatives that wold be less costly. Boka Toothpaste is very mild and makes brushing your teeth better. It doesn't have that harsh mint flavor which with most toothpastes feels like it's burning your mouth. It comes in multiple flavors and when you're done brushing your teeth, there is no need to rinse your mouth as it is a safe toothpaste to use. After using it for a few days, I feel that I will keep using the Boka brand from now on. I just wish that most stores would carry this toothpaste instead pf selling all those major brands which are full of fluoride. Did a bit of research and found that Boka Toothpaste has the same percentage of nano-hydroxyapatite as Apagard premio which is 10%. So that means that Boka Toothpaste is just as good if not better. No Fluoride No Harsh burning Mint Flavor Safe to shallow Multiple flavors 10% nano-hydroxyapatite Keeps your teeth Strong And one thing I've noticed is nano-hydroxyapatite makes your teeth less sensitive by rebuilding your tooth enamel I ordered four flavors, Watermelon Mint, Strawberry Mango, Orange Cream and Coco Ginger. So far, I've tried the Coco Ginger and I was surprised at how mild it was and it didn't have the sharp taste that ginger usually has. It is good and I enjoy it. I'm looking forward to trying the other flavors. The Orange Cream I'm sure my wife will like if I can get her to try it. But she can be very stubborn at times. I see there are some other flavors which I intend to try such as the Cinnamint, Cucumber Dill, Lemon Lavender and Strawberry Basil. Not sure if I should try the Ela Mint as I don't know how strong or mild the mint will be. I'm sure that if places such as Walmart brick & mortar stores sold this toothpaste, that it would sell really well.
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Reviewed in the United States on May 31, 2025
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Sonic Tonic
Omaha, US
★★★★★ 5
Best paste and taste
Every once in a while you run into a product of true quality. Time is expensive currency so we’ll keep it concise. This is the best tooth paste we’ve ever tried. All good quality ingredients fluoride free. First thing we noticed is how quick it works, it cleans your teeth super quick used with electric toothbrush cutting brushing time considerably. Leaves mouth feeling clean and smooth plus great taste. A lot of new advanced products in self care tend to have chemical type scents and textures but this tooth paste has a pleasant feel and taste, we got coco ginger. Will buy again.
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Reviewed in the United States on February 16, 2026
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Rachael B
Cuba, US
★★★★★ 5
Tastes great, works great
I love this toothpaste! I’m so happy to have a toothpaste that isn’t mint-flavored. FLAVOR: The taste and smell are so good — the coco ginger flavor is delicious and I legitimately look forward to the taste of it. I was worried that the ginger might be strong/spicy, but it’s nicely balanced. The lavender lemon flavor is also pretty good, like a lemon pastry. The elamint flavor tastes like regular mint toothpaste, just maybe slightly more herbal. SENSITIVITY: I’ve had to use sensitive toothpaste for many years. Any time I switched off it, I would start experiencing sensitivity again within a week or so. I’m really happy to report that this toothpaste offers great sensitivity and enamel protection. WHITENING: I don’t feel that this toothpaste is contributing much in terms of whitening. My previous toothpaste had gentle whitening, and I do feel like I could tell it was working. While my teeth haven’t gotten less white since I switched to Boka, I don’t think they’ve gotten any whiter either. That’s okay with me — the flavor and sensitivity protection are worth it, and I can always do a whitening treatment in the future if I ever feel I need to. TEXTURE: The texture is just like normal toothpaste and brushing with it feels the same as any other toothpaste. It works great with both my manual toothbrush and my electric toothbrush. TUBE: The tube is really nice and sturdy. I like the design of the tube a lot. The text and color scheme are fairly minimalist, and I like that the cap has a wide base so the tube can stand upright. It looks nice on my bathroom shelf. My only small complaint is that it gets harder and harder to squeeze the toothpaste out once the tube is less than half full. Since the tube is so sturdy, it can’t be rolled and folded to get the paste out. I think this issue could probably be resolved easily with one of those squeezing tools, though. I’ll report back if I try it. SIZES: I love that it’s available in both a regular size and a little travel size. I also loved that the travel size allowed me to try out this toothpaste before committing to a whole large one. (Don’t worry, the tube in my photos was full when it arrived! I’ve used half of it.) Overall I highly recommend this toothpaste! I will absolutely buy it again.
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Reviewed in the United States on August 23, 2025

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