Pay in installments of $6.22 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Sep 4 - Sep 9
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
portret van margriet benningh 1565 1641 nicolaes eliasz pickenoyReproductie Portret van Margriet Benningh 1565 1641 Nicolaes Eliasz Pickenoy Boeiende introductie Het "Portret van Margriet Benningh 1565 1641" van Nicolaes Eliasz Pickenoy is een iconisch werk uit de Nederlandse Gouden Eeuw, dat verder gaat dan een eenvoudig portret en de kijker onderdompelt in de intieme wereld van een tijd vol nuances. Margriet Benningh, wiens gezicht een opmerkelijke zachtheid en diepgang uitstraalt, wordt gepresenteerd met een
Reproductie Portret van Margriet Benningh 1565-1641 - Nicolaes Eliasz Pickenoy – Boeiende introductie Het "Portret van Margriet Benningh 1565-1641" van Nicolaes Eliasz Pickenoy is een iconisch werk uit de Nederlandse Gouden Eeuw, dat verder gaat dan een eenvoudig portret en de kijker onderdompelt in de intieme wereld van een tijd vol nuances. Margriet Benningh, wiens gezicht een opmerkelijke zachtheid en diepgang uitstraalt, wordt gepresenteerd met een elegantie die de virtuositeit van Pickenoy benadrukt. Dit schilderij, een ware weerspiegeling van de Nederlandse samenleving van die tijd, slaagt erin niet alleen de uitstraling van haar onderwerp vast te leggen, maar ook de essentie van haar karakter en sociale status. Bij het bekijken van dit werk voelt men onvermijdelijk een verbinding met het verleden, alsof Margriet ons uitnodigt een moment uit haar leven te delen. Stijl en uniekheid van het werk De stijl van Pickenoy wordt gekenmerkt door zijn treffende realisme en zijn minutieuze aandacht voor details. In het portret van Margriet is elk element, van de plooien in haar jurk tot de reflecties in haar sieraden, met bijzondere zorg behandeld, wat wijst op een technische meesterschap dat de kunstenaar typeert. Het subtiele gebruik van licht en schaduw creëert een bijna tastbare sfeer, waardoor de figuur van Margriet een driedimensionale dimensie krijgt. De compositie is zorgvuldig in balans gebracht, waarbij de focus op het onderwerp ligt, terwijl decoratieve elementen het schilderij verrijken. Deze mix van intimiteit en verfijning maakt van het werk een perfect voorbeeld van Hollandse portretschilderkunst, waarin de persoonlijkheid van het onderwerp wordt benadrukt zonder het sociale en culturele kader van die tijd te verwaarlozen. De kunstenaar en zijn invloed Nicolaes Eliasz Pickenoy, geboren rond 1588, is een van de invloedrijkste figuren in de portretschilderkunst in Amsterdam. Opgeleid in de traditie van de grote meesters van zijn tijd, ontwikkelde hij een eigen stijl die realisme combineert met een bijna poëtische gevoeligheid. Pickenoy had een aanzienlijke invloed op zijn tijdgenoten en opvolgers, vooral door zijn vermogen om vrouwelijke figuren met ongeëvenaarde gratie te vereeuwigen. Zijn werk beperkt zich niet tot eenvoudige representatie; het is een verkenning van identiteitShipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.0 ★★★★★
Based on 16 reviews
Sort
Product Reviews
★★★★★ 5
Great book!
Format: Hardcover
Love this author and his illustrations! Highly recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 9, 2025
★★★★★ 5
Fun read
Format: Hardcover
My daughter loves these books!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 24, 2026
★★★★★ 5
You can get this online free, but I bought it. Let Fanon turn your brain inside out.
I actually like the idea of supporting a press that is publishing Fanon.
When I was growing up with my dad working with the SCLC and Dr. Martin Luther King, Jr., as part of the night security crew for the summer marches, I was probably more aware than most Americans -- certainly most Americans outside of the black community -- of how much permeability there was between the nonviolent SCLC, and the Black Panther movement, for which Fanon was a seed influence.
Youth in the SNCC organization, the youth group associated with the SCLC, often went back and forth between SNCC and the Panthers as they developed their activist identity and their ideas of how justice might be achieved.
The phrase "by any means necessary" used by the Panthers often scared the bejeezus out of the white community. But when I sat down with my father -- who was an adherent of formal nonviolence -- he handed me Fanon to read, and told me that it was a valid investigation as to whether violence should be considered if nonviolent means were not entertained by the state.
To my dad, who was a peaceful but fiercely justice-oriented man (for those of you who know the idiom "fire of Amos" he had it), he considered that without the counterpoint of the Panthers, MLK would never have gotten a hearing in Washington DC.
Just the idea that there were revolutionaries in American society looking at American "apartheid" and saying, "We are willing to take care of our own if you separate us. We see our situation as that of a post-colonial slavery society and use the model of African liberation as our model. We are willing to be peaceful if we are given justice in peace, but we do not believe that you are acting in good faith and will use whatever means necessary to see you follow your own promises of justice and see justice for our own people if you will not see that done."
That was actually a step down from Fanon. That was actually optimism.
But all white Americans heard out of any of that was: "...by any means necessary." They didn't think of how they were creating the circumstances that might precipitate violence. That whites had created a system that instituted violence to keep slaves, and later free blacks, contained and preserve power and privilege for the white majority.
It is hard for most Americans to even realize that America -- although we became independent from England -- continued as a colonial nation and economy on our own continent and territory. That all the institutions of the repression and destruction of indigenous and imported-slave cultures that happened "over there" in countries that Europeans colonized far from home, we did at home as a break-away colony, and the Europeans who conquered America never relented, compromised, or acknowledged that colonial reality in the way that the Spanish, Dutch, Portuguese, Italian, French, and British Empires did in their colonial domains.
So Fanon is someone worth reading, not only for Africans, or for African-Americans, but for any American or anyone else in the world who wants to better ponder white privilege in America and how it became so very different from colonial privilege as that faded in Africa, through the lens of this Algerian revolutionary philosopher, who so influenced our Panthers.
I remain committed to nonviolence personally, but I understand intensely how MLK and Malcolm balance each other. And how that can actually lead to better peaceful solutions, in a social justice conflict where the status quo has been preserved by judicial and extrajudicial violence by a superior force.
This is still relevant in puppet regimes all over the world. In client states of capitalist powers and of Russia and China. In the conflicts surrounding Israel, and the conflicts throughout the Middle East and Central Asia that are often couched in sectarian terms or sectarian vs secular terms.
It is vital to understanding countries like Zimbabwe or South Africa, where the dynamics of early black leadership as colonial-wannabes are creating environments of corruption and scandal, and robbing their own people.
Everyone should read Fanon. If you can't afford the book here, you can find it online free. This book, and Black Skin, White Masks, both highly recommended.
If you don't like Marxist/Socialist politics, try to suspend disbelief a bit. The philosophy, sociology, and psychology is amazing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2019
★★★★★ 5
The destruction of racism
Format: Paperback
This is a very open and candid view of racism in the early 19th century
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2026
★★★★★ 5
good read
Format: Paperback
classic work on imperialism
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 11, 2026
recommand products
Kiotos - Crocodile Tepelklemmen - Met 2 x 100g Bullet Gewichten - RVS - Zwart
23.95
Sevanda - Buttplug - Holle Anaal Plug In Spiraal Vorm - RVS - Goudkleurig - Verkrijgbaar in 3 maten
32.95
Kiotos Monstar 09 - Penis Sleeve - Penisverlenging - Met Ball Stretcher Opening - Lengte 205 mm - Siliconen - Roze Wit
55.95
Liebe Seele - Manga Masturbator MORIKO - Onahole - Geimporteerd uit Japan - Lichte Huidskleur
29.95
Kiotos - Stalen Collar En Handboeien
129.95