SKU: 87662256623

KRX R- Nano Collageen Lift Body 500 ml

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Description

KRX R- Nano Collageen Lift Body 500 mlR Nano Collageen Lift Body is een innovatieve anti aging bodycrme die speciaal is ontwikkeld voor het verbeteren van de stevigheid en elasticiteit van de huid. Deze geavanceerde formule bevat micro absorbeerbare collageenvezels die diep doordringen in de huid om een intens liftend effect te bieden, terwijl ze de huid hydrateren en tekenen van veroudering zoals verslapping verminderen. Na slechts 3 weken dagelijks gebruik ziet de huid er zichtbaar

R-Nano Collageen Lift Body is een innovatieve anti-aging bodycrème die speciaal is ontwikkeld voor het verbeteren van de stevigheid en elasticiteit van de huid. Deze geavanceerde formule bevat micro-absorbeerbare collageenvezels die diep doordringen in de huid om een intens liftend effect te bieden, terwijl ze de huid hydrateren en tekenen van veroudering zoals verslapping verminderen. Na slechts 3 weken dagelijks gebruik ziet de huid er zichtbaar strakker en jeugdig uit.

Wat maakt deze crème uniek?
De R-Nano Collageen Lift Body bevat micro-absorbeerbaar collageen dat onmiddellijk in de huid wordt opgenomen en helpt de eigen collageenproductie te stimuleren. Dit krachtige ingrediënt, in combinatie met andere voedende componenten, verbetert de huidstructuur en pakt veelvoorkomende lichaamsproblemen aan, zoals verslapping, droogheid en fijne lijntjes. Met een complexe mix van hoogwaardige actieve stoffen wordt de huid gevoed, gehydrateerd en voelt ze steviger aan.

Wat is micro-absorbeerbaar collageen?
Micro-absorbeerbaar collageen bestaat uit collageenvezels in een kleinere moleculaire vorm, waardoor ze gemakkelijker in de huid kunnen doordringen in vergelijking met regulier collageen. Dit zorgt voor een snellere en effectievere opname, met een langdurig verstevigend effect.

Textuur:
De R-Nano Collageen Lift Body heeft een lichte, zijdezachte textuur die moeiteloos in de huid trekt zonder een plakkerig gevoel achter te laten. Het product is niet vet en voelt comfortabel aan, waardoor het ideaal is voor dagelijks gebruik.

Gebruik:
Breng dagelijks een royale hoeveelheid aan op de gewenste lichaamsdelen, zoals armen, benen en buik. Masseer de crème zachtjes in de huid met opwaartse bewegingen totdat deze volledig is opgenomen. Voor optimale resultaten 1 tot 2 keer per dag aanbrengen.

Resultaten:
Bij consistent gebruik zullen na 3 weken zichtbare verbeteringen in de stevigheid en gladheid van de huid merkbaar zijn. De huid voelt strakker, ziet er jonger uit en heeft een gezondere uitstraling.

Ingrediënten:
Water, Prunus Amygdalus Dulcis (Zoete Amandel) Olie, Glycerine, Cetyl Ethylhexanoaat, Cetyl Alcohol, Niacinamide, 1,2-Hexanediol, Cyclopentasiloxane, Butyleen Glycol, Stearyl Alcohol, Cyclohexasiloxane, Sodium Polyacrylate, Glyceryl Stearaat, Dimethicone, Copernicia Cerifera (Carnauba) Wax, Polysorbate 60, PEG-100 Stearaat, Olea Europaea (Olijf) Vruchtolie, Myristyl Alcohol, Palmitinezuur, Gehydrogeneerde Polyisobuteen, Stearinezuur, Gehydrogeneerde Lecithine, Carbomer, Arginine, Lauryl Alcohol, Fragrance, Ethylhexylglycerine, Adenosine, Dinatrium EDTA, Propanediol, Arachidinezuur, Sodium Hyaluronaat, Atelocollageen, Desamido Collageen, Gehydrolyseerd Collageen, Laurinezuur, Myristinezuur, Oleinezuur, Oplosbaar Collageen, Marine Collageen 1, Marine Collageen 3, Gehydrolyseerd Hyaluronzuur, Gehydrolyseerd Elastine, Panax Ginseng Wortel Extract, Piper Methysticum Blad/Wortel/Steel Extract, Collageen, Anemarrhena Asphodeloides Wortel Extract, Collageen Aminozuren, Gehydrolyseerd Erwten Eiwit, Phytosterolen, Squalaan, Lecithine, Procollageen, Sodium Acetylated Hyaluronate, Palmitoyl Tetrapeptide-7, Lactobacillus Ferment, Camellia Sinensis Bladwater, Tocopherol, Palmitoyl Tripeptide-1, Palmitoyl Tripeptide-5, Palmitoyl Pentapeptide-4, Nonapeptide-1, Tripeptide-1, Acetyl Tripeptide-2, Acetyl Hexapeptide-8, Copper Tripeptide-1, Hexapeptide-9, Ceramide NP, Butyrospermum Parkii (Shea) Butter.

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SKU: 87662256623

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4.6 ★★★★★
Based on 24 reviews
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David R. Papke
Birmingham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Louisville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Massapequa, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Houston, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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