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Description
Whitehaus 30" Fireclay Farmhouse Sink, Single Bowl, Black, WHFLGO3018Whitehaus 30" Fireclay Farmhouse Sink, Single Bowl, Black, WHFLGO3018 BLACK Every sink is handmade from natural clay, molded, and then baked into an elegant, smooth and glossy finish. Being eco friendly and lead free only adds to the allure of Farmhaus Fireclay sink. Proven to be durable and resistant to extreme temperatures fireclay sinks are visually appealing and timeless in design. Whitehaus Collection's patented, eco friendly, Farmhaus Fireclay
Whitehaus 30" Fireclay Farmhouse Sink, Single Bowl, Black, WHFLGO3018-BLACK
Every sink is handmade from natural clay, molded, and then baked into an elegant, smooth and glossy finish. Being eco-friendly and lead-free only adds to the allure of Farmhaus Fireclay sink. Proven to be durable and resistant to extreme temperatures fireclay sinks are visually appealing and timeless in design. Whitehaus Collection's patented, eco-friendly, Farmhaus Fireclay sinks are available in a variety of colors and designs and will complete the look in any kitchen.
Available In:
Please see our color disclaimer.
Features
- 3 1/2" center drain
- The sink is finished on all four sides
- Reversible with a Gothichaus front apron on one side and fluted front apron on the opposite side
- Recommended that sinks be supplied to your cabinetmaker prior to the fabrication of your cabinets and countertops.
- Drain Basket is not included with the purchase of the sink.
- This sink can be installed in three different ways, each with an exposed front apron. Undermount is the most common, with the countertop flowing over the edge of the sink. Another option is Flushmount, which means that the countertop and top edge of the sink are the same height; in this case, the silicone sealer between the sink and countertop will be visible. The third option is Topmount, in which the countertop buts up against the side of the sink, which sticks up above the countertop's height. Not to be confused with drop-in, for which this sink is not intended.
- The bottom of this sink is extra thick, a drain with a longer screw is required. Whitehaus RNW35L (brass) or RNW50L (plastic) strainers and the WH202 waste disposer trim are recommended.
For Farmhouse Sinks the recommended base cabinet size is 3" more than the width of the sink.
Due to the fireclay process, dimensions may vary. Please use the actual sink that you will be installing in order to determine the cutout dimensions for your countertop and cabinetry.
Related Products
Drains:
Details
| Bowl Split: | Single |
|---|---|
| Box Height: | 17" |
| Box Length: | 25" |
| Box Weight: | 95 lbs |
| Box Width: | 41" |
| Collection: | Gothichaus |
| Color/Finish: | Black |
| Drain Placement: | Center |
| Installation Type: | Farmhouse |
| Item Height: | 10" |
| Item Depth: | 9" |
| Item Length (Front to Back): | 18" |
| Item Width (Side to Side): | 30 3/8" |
| Item Weight: | 85 lbs |
| Outside Dimensions (L x W x H): | 30 3/8" x 18 " x 10 " |
| Inside Bowl Dimensions (L x W x H): | 28 3/4" x 16 3/8" x 9" |
| Material: | Fireclay |
| Wall Thickness: | 3/4" |
| Number of Bowls: | 1 |
| Number of Faucet Holes: | 0 |
| Shape: | Rectangle |
| Overflow: | No |
| Ship Method: | FedEx Ground |
| SKU | WHFLGO3018-BLACK |
Warranty
Whitehaus Warranty Details (PDF)
Manuals
keywords, whflgo
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 5
Ben Solo’s fall is tragic
Format: Paperback
We don’t know much about Ben Solo’s past, but this comic explains a little bit more about why he is the way he is. It also explains that he didn’t do all the things he himself implies in TLJ. It’s a story of a young man who is lost because those he is supposed to trust betray him, which is exactly what Snoke/Palpatine want. It shows he didn’t really have a choice in the path he took and it makes his redemption at the end of the saga powerful, even if the last movie itself destroys the myth of Star Wars. I love knowing that Rey and Ben have always had a connection and I hope that is something explored more deeply in Episode X when they bring Ben back.
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Reviewed in the United States on July 30, 2020
★★★★★ 5
Answers a lot of questions
Format: Kindle
I enjoyed this story. This fills in a lot of gaps left open from the sequel trilogy, and the artwork was pretty cool. Excellent coloring and layout.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 26, 2023
★★★★★ 5
The perspective of Darth Vader between Star Wars and Empire Strikes Back.
Format: Paperback, Format: Paperback
So basically this tells the story of what is going on with Darth Vader after the first Death Star is blown up. He wants to know who it was. Emperor Palpatine is pretty ticked off as it is, and he hasn't said anything but he's already looking to replace Vader in case he fails. Along the way we see still that Vader has some decency still left inside of him, as we meet Doctor Aphra and her droids, and he has a chance to kill her off several times but spares her life for certain reasons. This book collects Star Wars: Darth Vader (2015 Marvel) #1-12, #1 Director's Cut, and Star Wars: Darth Vader (2015 Marvel) Annual #1.
The story is written by Kieron Gillen. Art by Salvador Larroca and Leinil Francis Yu
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 13, 2025
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld.
It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale.
Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own.
Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of.
In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy.
Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
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