SKU: 18291562125

Fender Custom Shop Limited Edition '54 Telecaster Heavy Relic Electric Guitar, Wide-Fade 2-Color Sunburst

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Description

Fender Custom Shop Limited Edition '54 Telecaster Heavy Relic Electric Guitar, Wide-Fade 2-Color SunburstStraight from our friends over in Cali comes this Fender Custom Shop Limited Edition 54 Telecaster Heavy Relic in a Wide Fade 2 Color Sunburst. With a rich mix of colors and a Custom Shop Heavy Relic finish treatment, this Telecaster presents a warm and refined aesthetic. This combination of visual elements is tied together with finish checks and scrapes across the entire instrument for a rough and ready guitar. Embodying the spirit of a worn in

Straight from our friends over in Cali comes this Fender Custom Shop Limited Edition ’54 Telecaster Heavy Relic in a Wide-Fade 2-Color Sunburst. With a rich mix of colors and a Custom Shop Heavy Relic finish treatment, this Telecaster presents a warm and refined aesthetic. This combination of visual elements is tied together with finish checks and scrapes across the entire instrument for a rough-and-ready guitar. Embodying the spirit of a worn-in classic, this Fender Custom Shop is a standout for Tele fans everywhere.

This Fender Custom Shop ’54 Telecaster begins with a two-piece select ash body shaped in the classic single-cutaway Telecaster profile. The ash is dressed in a Wide-Fade 2-Color Sunburst lacquer finish that wraps the body nicely. Fender Custom Shop’s Heavy Relic finish treatment materializes in charming scrapes and dings across the body that make it truly feel lived-in and well loved. This treatment can be found across the entire guitar for a consistent visual package.

The single-cutaway ash of this Telecaster is matched with a one-piece riftsawn maple neck shaped in a 1954 “U” profile. Providing that vintage feel in the palm, this neck offers a firm grip, reminiscent of early Fender necks. The riftsawn maple fills out to a fingerboard measuring with a 9.5” radius fingerboard that presents a more modern feel across the fingers. Twenty-one frets line this maple using 6105 Narrow Tall fret wire to enhance articulation in fretting and playing. Vintage-Style tuning machines line the headstock alongside a Vintage-Style disc string tree.

Sonically, this Custom Shop plays with great Tele tonality with the use of two Custom Shop hand-wound Loaded ’51 Nocaster single-coil pickups. This pair of single-coils play with all the great Tele twang heard across generations for a classic-sounding Telecaster experience. Fat ‘50s Tele wiring appears in the electronics to add onto the unique setup of this Custom Shop piece. Further hardware specifications on this Custom Shop include a bone nut and a three-saddle American Vintage Strings-Through-Body Tele bridge with brass saddles for a fully stable and solid playing experience across the full scale length. This Tele travels with a Fender Custom Shop Deluxe Hardshell case.

Embodying excellent tonality and playability with that eternal element of Telecaster cool, this limited edition Custom Shop model has everything needed for a great musical experience and more.

  • Limited edition Fender Custom Shop model
  • Two-piece select ash single-cutaway solid body
  • One-piece quartersawn maple neck in 1954 "U" profile
  • Narrow Tall (6105) fret wire across twenty-one frets
  • Vintage-Style tuning machines and Vintage-Style Disc string tree
  • Two Custom Shop hand-wound Loaded '51 Nocaster single-coil pickups
  • Fat '50s Tele electronics wiring with three-way switch
  • Fender Custom Shop Heavy Relic lacquer body finish treatment
  • Fender Custom Shop Deluxe Hardshell case included
  • Fender Custom Shop certificate of authenticity included
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 18291562125

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4.1 ★★★★★
Based on 24 reviews
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Diogenes
Lexington, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
J
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J. W. Kennedy
Boise, US
★★★★★ 4
Mixed Bag
Everyone should know, first off, that the Dover thrift edition is NOT a graphic adaptation. For some reason, Amazon has attached editorial reviews from the hardcover edition of the graphic novel version to this page. Now, the book itself offers a range of experiences from delightfully hilarious to annoyingly tedious. Lots of the "funny" parts depend on an understanding of 18th-century social mores. I'm sure some of it went over my head but I'm enough of a nerd to have enjoyed most of the drollery. I think... The story is whimsical, told all out of order by a scatterbrained, easily-distracted narrator. Tristram Shandy himself is hardly in the novel at all; aside from narrating it, he only appears momentarily as a newborn infant and then as a boy about 6 years old - and his role in both incidents seems peripheral to the carryings-on of the other characters. Each turn in the story reminds the author of something else, and he turns aside to tell stories inside of stories, each of which are necessary to give the reader some vital "background information" .. with the result that the main story hardly moves forward at all. It takes nearly 200 pages just for Tristram to be born! and even then the reader isn't quite sure it has happened since the conversations and minute actions of the other characters are magnified to such an importance that the narrator's own birth is hardly observed. For the most part this rambling comes across as "quirky and delightful" and the novel flows along quite pleasingly in spite (or perhaps because) of it. The digressions add layers to the story. Except when they don't. The "chapter upon noses" which is a translation of a fictitious(?) Latin work by the great Slwakenbergius, has little bearing on the story. Like most of the book, it builds up to a climax and then stops short of resolution, leaving you to wonder what was the point. It leads nowhere, but at least it was interesting. The same cannot be said of Book VII, which is a sort of travel diary of Tristram (in the novel's "present" time) touring France by post-chaise. Although this is the only significant appearance of Tristram himself as a character in the book, it has absolutely nothing to do with the story/stories he was telling, and it is neither very interesting nor very funny. It serves as nothing but a pointless interruption, delaying the reader for 50 pages before getting to the part we were waiting for: Toby's courtship of the widow Wadman. This last section goes along nicely for a while, and then the book stops. It doesn't end; it just stops right in the middle of a conversation, with the courtship unresolved and most of the reader's questions unanswered. This is perfectly in keeping with the spirit of the entire novel, but I have to admit it's frustrating. I had trouble deciding whether to give this book 3 or 4 stars but I think it entertained me more than it exasperated me, so I'll give it the benefit of the doubt ... and round up from 3.5. It's worth reading once, just for the experience - there's no other book quite like it - and the price of the Dover Thrift Edition can't be beat.
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Reviewed in the United States on September 23, 2010
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Lawrentius Verifer
Belleville, US
★★★★★ 5
An extraordinary tale of an 18th Century family
Have you wanted to read a book where the author decides to "rip out" one of the chapters, or leaves a blank page for you to 'draw' one of the characters? Would you enjoy a story which takes many chapters before the hero manages to be born? This 18th-Century tale is touchingly told. The characters are real, and fascinating. It's not their fault that their story is frequently and impishly interrupted by outlandish "digressions" on the part of an author so creative that his modern descendants are considered to be Joyce and Beckett, as well as many others. Would you enjoy a chapter on Chapters? About buttonholes? About whether parents and their children are kin to each other? A chapter on curses? Poor Laurence Sterne has so much trouble getting two of his characters down the stairs that he finally calls in a "critic" to help! Advice on reading such an unusual, even unique, book: read the first several chapters, then stop and reread them. Continue that process and soon the book will feel quite familiar, and that's when the fun really starts. The Oxford World's Classics edition follows the first edition of the book, and is preferred. Amazon also offers the fully-annotated edition, the "Florida" edition, in three volumes. A caution about the Everyman hardcover edition: they reprinted a later edition which groups Tristram Shandy into three volumes, not nine. And then they renumbered all the chapters! That's OK unless you read secondary sources that refer you to Book VII, Chap 4: good luck ever finding it.
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Reviewed in the United States on June 4, 2000
M
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Martin M. Bodek
Omaha, US
★★★★★ 1
A Total Sham-dy
What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me! I checked the ratings on Goodreads. This is what it showed: 5 stars: 33%, 4901 4 stars: 28%, 4064 3 stars: 22%, 3268 2 stars: 9%, 1414 1 star: 5%, 848 Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
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Reviewed in the United States on September 19, 2016
M
Verified Purchase
Michael Harold
Pawtucket, US
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 21, 2025

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