SKU: 22125049287

JHS Twin Twelve Silvertone 1484 Tones

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Description

JHS Twin Twelve Silvertone 1484 TonesIn 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier. Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music. From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 "Twin Twelve" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being

In 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier. Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music. From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 "Twin Twelve" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being discontinued. Artists such as Beck, Death Cab For Cutie, The White Stripes/Jack White, and more recently Vampire Weekend and Coldplay have brought this rare amp to the forefront of popular music. The JHS Pedals "Twin Twelve" channel drive is the first ever all analog stomp box that replicates the classic preamp/overdrive tones only found in the Silvertone 1484 "Twin Twelve" amplifier.

The heart of the JHS Pedals Twin Twelve are the discrete transistor stages that take the place of the original tubes found in the amplifier. Each transistor stage of each pedal is meticulously hand tuned and adjusted for the perfect voltage that achieves a striking similarity to the real valve sound of the original amplifier. To help achieve the weight and power of the original valve design the circuit is designed around a charge pump that internally converts your standard 9V DC Negative power up to a powerful 18 volts. This conversion gives you more punch, a better dynamic range, and overall one of the best amp-like feels of any pedal we have ever offered.

The JHS Pedals Twin Twelve has four controls: Volume, Drive, Bass, and Treble. The original amp only had Volume, Bass, and Treble. Let's start here and explain the additional Drive control that exists on our Twin Twelve pedal. The Volume control of the pedal acts as the master volume that the amplifier never had. By design, if the Volume control of the pedal is maxed out, the pedal is acting like a non-master volume amplifier. The Drive knob of the pedal is essentially the Volume control of the amplifier. As you turn up the Drive knob of the pedal you get more overdrive and tube-like saturation just like you would by cranking up the Volume knob on the amplifier. The biggest difference between the pedal and the original amplifier is that you can now crank the Drive knob of the pedal and turn the overall volume down with the pedal's Volume knob. The 1484 amplifier did not have this feature and made it at times unbearable to achieve the best cranked-up amp tones when in a small venue, small club, or bedroom situation. The Bass and Treble controls are almost exact replications of the 1484's baxandall tone circuit with only minor improvements that make them work more effectively in a guitar pedal format. If you have ever played a real 1484 amp you probably found yourself cranking up the amp's Bass control due to the fact that the first 40% of the sweep was pretty useless and completely non-audible in change. On our pedal, we've adjusted the values within the Bass control network giving a more audible and useful control range. With the pedal's Bass and Treble set to noon you have the very classic and true 1484 amp tone with plenty of room to expand and tweak. The Bass and Treble controls of the pedal are active and allow you to cut or add either frequency.

The Twin Twelve pedal can be used as an "always-on" preamp, an enhancer for your current rig, or as a powerful solo booster. The Twin Twelve also does great job at amp-like overdrive tones, treble boosting, edge of fuzz overdrive, and more. We are convinced that this is one of our greatest offerings ever and we think you will feel the same.

Enjoy classic Silvertone 1484 tones without having to jump in a Delorean and turn back time.

**The word/name Silvertone is a registered trademark. The JHS Pedals Twin Twelve pedal is in no way affiliated with Silvertone. JHS Pedals has applied and filed for the trademark of the word/name Twin Twelve and is awaiting official registration from the US Patent & Trademark Office.

This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5"

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SKU: 22125049287

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E.M. Bristol
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★★★★★ 5
Addictive as almond M&M's
Format: Paperback
I once read a book that blew the whistle on the abuses in the system that produces young elite figure skaters and gymnasts. One mother said of another mother that she was very likeable, but she'd cut your throat behind your back. That describes a lot of Freida McFadden's heroines (and their besties) to a t. At least one of the following always occurs in these novels. 1. If someone says, "Eh, I'm sure it's nothing," it's not. If someone believes their husband is too busy working to have an affair, he isn't. If someone suspects a knife is missing from the block, it is. 2. If a child or teen bitterly complains of being a victim of peer conflict, there's a good chance he/she is the instigator. They may even have committed or assisted in a murder in the past. 3. At some point, you will be told point blank that the character you have just spent a good chunk of the book with is the polar opposite. And even if you're familiar with the books, it may come as at least a partial surprise since this doesn't occur in most novels. 4. Everyone in the book has a secret, even if it's just hair dye. 5. There's also what I call the "Cold Case" rule: Don't argue near stairs. Ever. But I digress. At first, happily married to a great guy Naomi Roth doesn't really protest when her husband Jeremy, after having changed the locks, insists that she go and stay at the apartment he bought for his now-deceased parents. She believes, despite a few stray doubts, that he is telling the truth when he says that it's just renovations and that it will be better this way - and he's even thoughtfully packed for her. However, soon after that, Naomi is told in no uncertain terms that Jeremy wants a divorce, which makes her a pariah with her fellow mothers, except one. Is her husband having an affair, and if so, what secrets does his mistress have? And who the heck committed the murder in the preface (there's almost one in every book, so it isn't much of a spoiler)? As always, the author makes writing fiction look effortless, which if you've actually sat down to write some, know it usually isn't. Another addictive read.
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Reviewed in the United States on May 27, 2026
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Rhea
Alexandria, US
★★★★★ 4
Calling all Freida Fans!!!
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4.5 stars!!!! Mrs. Freida McFadden Fans!!! This book was soooooo good!!! I started reading last night thinking I will read a few chapters before bed. Well, it is 2am 😊 so, I couldn’t put it down. All the characters are despicable…but it a good way. I had this one figured out; I did, and BAM! No I didn’t…then, twist after twist after oh s*** twist!!! Poor Ezra…sweet little Teddy….the rest, all despicable, but like I said; in such a wonderfully twisty way!!! Naomi husband decides out of nowhere he wants a divorce. She later finds out there “is” another woman; Veronica. Their son Teddy gets shuffled back and forth from Jeremy's house to Naomi’s apartment, and……
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jojonick
Omaha, US
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This was a great read—sad, but very well done. I really enjoyed the conversational format, since I’ve never read a book told in quite that way before. It felt fresh and different, and the writing was excellent. Overall, it was a very engaging and memorable book.
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Reviewed in the United States on May 28, 2026
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Terri R
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★★★★★ 5
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