SKU: 24750654102

CARSTENS TÖNNIESHOF ‘RELIEF’ SERIES FLOOR VASE Nr. 7346/40

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Description

CARSTENS TÖNNIESHOF ‘RELIEF’ SERIES FLOOR VASE Nr. 7346/40A very tall relief dcor floor vase Nr. 7346 40 from CARSTENS TNNIESHOF. Probably from the late '60s Europa series designed by the celebrated Heinz Siery CARSTENS TNNIESHOF was founded in 1946 by Ernst Carstens and his son Christian. The family (which included Christian's namesake uncle, sometimes mistakenly listed as a Tnnieshof cofounder) had a generations long history of manufacturing porcelain and other ceramics throughout Germany. However, all of

A very tall relief décor floor vase Nr. 7346/40 from CARSTENS-TÖNNIESHOF. Probably from the late '60s Europa series designed by the celebrated Heinz Siery

CARSTENS-TÖNNIESHOF was founded in 1946 by Ernst Carstens and his son Christian. The family (which included Christian's namesake uncle, sometimes mistakenly listed as a Tönnieshof cofounder) had a generations-long history of manufacturing porcelain and other ceramics throughout Germany. However, all of its businesses had collapsed by the end of WWII. Most of the factories that had survived were expropriated by the GDR—having wound up on the communist side of the line when the country was divided following the war. Father and son built the new Tönnieshof factory on a farm of that name in the town of Fredelsloh—just across the West German border in Lower Saxony. Very little is recorded about its earliest production, which began in 1947 and consisted mainly of tableware. The first known decorative pieces date from the early '50s. Ernst's wife Trude Carstens served as artistic director for CARSTENS TÖNNIESHOF until her death in 1965.

Early modern CARSTENS-TÖNNIESHOF products had simple forms and were decorated in discrete colors. More advanced décors, with organic patterns and sometimes gold elements, were developed by Trude Carstens in the mid '50s. Good examples of this type are Utrecht and Graz. Forms with molded geometric patterns would soon be introduced, the Carmen relief series from 1958 being representative.

When Ernst Carstens died in 1954, leadership passed to son Christian. Under his guidance the firm maintained its dynamic position in the vanguard of West Germany's ceramics industry. CARSTENS, which employed about 400 workers by this time, would remain successful for decades and produce an enormous variety of shapes and glazes. In step with most of the other major German ceramics companies of its day, CARSTENS' practice was to apply a variety of decoration techniques to the same basic forms. This naturally yielded extensive product ranges. In addition to its own branded pottery, CARSTENS manufactured ceramics for the Austrian firm Goldscheider.

The celebrated Heinz Siery began his work at CARSTENS in 1959. His designs—with their harmonious, "golden-ratio" proportions—were ubiquitous in the company's early '60s production, and indeed, throughout its remaining history. Of special note is the original Atelier series, developed by Siery (forms) along with Gerda Heuckeroth (décors) and released in 1962. The two are together responsible for some of CARSTENS' most coveted creations.

Helmut Scholtis (listed as "von Scholtis" in much of the literature), during a stint with CARSTENS in 1963, unveiled the hugely popular Ankara décor. An outstanding example of "wax resist" technique, it was applied to a broad array of forms and can be found in a variety of color and shape permutations. Ankara remained in continuous production until 1969.

Dieter Peter and Rudolph Christman came up with several advanced, eccentric forms in 1967 and paired them with sophisticated "fat lava" glazes for the high-end Luxus series. It was followed in 1968 by Gerda Heuckeroth's Boutique series. The two lines were produced to be sold exclusively in large department stores and comprised some of CARSTENS' most labor-intensive and costly items to produce.

CARSTEN's production was eventually expanded to Austria and overseas to Brazil, Chile, Argentina, and Australia. It may well have topped out at close to 10,000 units daily overall. By the mid 1970s, however, the profitability of the ceramics industry was being undercut by cheap imports and lagging public interest. CARSTENS went bankrupt in 1977. It was taken over by employees for a time and operated under the name Kiel Atelier; all operations ceased in 1984.

KEY DESIGNERS:

  • Trude Carstens, 1946–mid '60s
  • Heinz Siery, 1959–1967
  • Gerda Heuckeroth, 1962–1964
  • Dieter Peter, early '70s
  • Rudolph Christman, 1967–1968
  • Helmut Scholtis, 1960s

HEINZ SIERY was a true luminary in the world of ceramics in the '50s and '60s. His form designs had significant impact on the product styles of makers Fohr, Scheurich, CARSTENS, and Ruscha, among others. Siery often employed "the golden ratio" (or an approximation) while designing, lending harmonious proportion to his work. This can be clearly seen in his most iconic vase, Nr. 271/22 for Scheurich. Presented in 1959, it was extremely popular and was still being manufactured in the 1970s. Siery also developed and introduced new methods of industrial organization.

In 1969 Siery and wife, Ingrid Siery-Illgner, established a jointly operated studio, Atelier Syré, near the historic town of Euskirchen in North Rhine-Westphalia out of which they both freelanced. (Ingrid had also designed decorative objects for CARSTENS, and overseen the design department at the Wächtersbach earthenware factory.) In addition to commissioned work, the couple produced creations of their own—notably elegant, figural sculptures made of bronze, whose simple, classical forms and sleek lines evoke the work of Henry Moore and Joannis Avramidis. Atelier Syré houses a sculpture park that is home to more than 300 of these works.

DETAILS

Maker – CARSTENS TÖNNIESHOF

Production Period/Year – 1960s

Designer – HEINZ SIERY

Design Period/Year – 1960s

Origin – WEST GERMANY

Styles/Movements – MID-CENTURY MODERN; BOHO CHIC

Materials – CERAMIC

Colors – BLUE

Condition – Excellent vintage condition; no damage. May show some signs of previous use.

Dimensions – 6 ½" DIAM. × 15 ¾" H

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SKU: 24750654102

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4.1 ★★★★★
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❈ Elizabeth ❈ | Breakawayreads
Phoenix, US
★★★★★ 5
Fallen Angels, fae, vampires, oh my!
Format: Kindle
Rating: 4.5 | Spice: 2 (but a good slow-burn) • Main Characters: Huntyr and Wolf • I couldn’t wait to read this book; there was so much hype about it! And there was no doubt why. I fell in love with the characters and the plot itself. This book is mainly plot driven more than friction driven but it’s easy to follow along with. The characters are fun, easily understood. The main setting is at an academy where both the main characters are going through trials and building strength for the final test, The Transcendent. There are fantastic side characters as well. I loved the camaraderie between Huntyr and her friends. But we don’t like Lanson. 😆 We do have some plot twists that come into play throughout the book. Secrets and betrayal to be seen. I did adore Wolf and Huntyr’s relationship. It was a classic slow burn trope. They didn’t hit it off fast, but in time their feelings grew. I loved their banter, so sexy. Wolf is your next book boyfriend; Huntyr is your next vampire assassin independent bad-a*s female. Themes include loyalty, trust, self-discovery, a true slow burn romance. Side note: book ends on a angsty cliffhanger! • Emily, thank you for writing this awesome novel and I cannot wait to devour Book 2, Blood So Brutal! 😍 • Happy reading, my lovelies! xo
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Reviewed in the United States on January 21, 2024
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MelsABookworm
Omaha, US
★★★★★ 4
“My heart bows to you and you only, Huntress.”
Format: Kindle
3.5 🌟 This book popped up in my KU recommended reading suggestions and the synopsis sounded like what I was in the mood for. I'm so glad I took a chance on it. I went into this knowing absolutely nothing about it and ended up really liking it. I love when this happens. The main characters are likeable and I easily found myself rooting for them. There is a mystery element to each of their backstories that I enjoyed watching unfold and can't wait to get more of. Wolf, in particular, has me fixated. Love him. I found this to be an entertaining, addictive read with a plot that moves along at a good pace. It reads so easily I found myself very reluctant to put it down. Lots of twists and turns and the angst is there. A good set up for the next book to come, for sure. My issues with this book....the dialogue feels a bit juvenile at times and there is a repetitive over use of a particular word phrasing that I found myself giving the ole eye-roll to. There are, without a doubt, some pretty cliche moments that gave me a bit of the cringe. I think this could've certainly 100% benefited from more depth regarding the world building. Perhaps the world building was sacrificed to keep the pacing quick? Just a guess. Also, the lack of consistency of character for the FMC was really evident and so she feels quite illogical at times. Overall, this was a fun and enjoyable read that hit the spot well enough for me. That ending certainly has me impatiently pining for book 2!
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Reviewed in the United States on June 18, 2024
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Amazon Customer
Louisville, US
★★★★★ 3
Interesting take on the genre
Format: Kindle
True rating: 3.25 ⭐️ I enjoyed the fresh take on the genre. The best way I could describe the setting and world is an apocalyptic dystopian version of Farie where vampires, fae, and angles struggle to survive in what is left of the world. It was definitely interesting throwing the academy/hunger games aspect into this world as well. Even though I guessed the final reveal early on in the book, I kept hoping I was wrong, and it would take a surprising turn. While the "plot twists" were a bit predictable to me, I still enjoyed the ride this book took me on. Another downfall for me was the plot holes in the world building... I.E. if society has fallen and the world is in the aftermath of war, how are there trains running around the world? Just to take young adults to the trials to get into the golden city? How is the train maintained, the tracks clear, etc? However, I did enjoy the FMC & MMC and thought they were fleshed out nicely. I also enjoyed the side characters but wish some were developed more like Ashalin (sp?). I do find myself rooting for the MCs to succeed and find happiness together, which is obviously an important aspect for romantasy. Overall, was this an earth-shattering, mind-bending, terrific piece of literature? No. But was it the worst thing I've read this year? Also, no. This book has, to me, the bones of a great read & just needs a bit more to push it from an alright book to a great book. Overall ratings: Plot- 3.5⭐️ World building 3⭐️ Spice 2.5 🌶🌶 Main characters 4 ⭐️ Supporting characters 3.5⭐️
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Reviewed in the United States on May 12, 2024
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Irene zamora
Omaha, US
★★★★★ 5
great book
Format: Kindle
I am really excited to meet the author at the book retreat this month. I really enjoyed this world that she built and most of the female main character Huntress is so awesome. She goes through a lot in this book and the ending; wow! I wouldn't have even guessed. I highly recommend everyone to read this book. I have been so lucky this year that almost all the books I have read have been, so far, 5 out 5 stars.
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Reviewed in the United States on June 2, 2026
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Anastasia Goygova
Waukegan, US
★★★★★ 4
Fallen for the Fallen Angel – A Guilty Pleasure Worth Every Page
Format: Kindle
There’s something deeply irresistible about a dark academia or trial-based setting, a brooding and arrogant fallen angel, and a fierce heroine with enough sass to go toe-to-toe with him. Wings So Wicked is exactly that kind of book—and I devoured it in just a couple of days. To be fair, the plot isn’t groundbreaking. If you’re looking for something fresh and innovative in terms of storyline, this might not be it. But if your reader heart beats faster at the mere mention of enemies-to-lovers, jealousy-fueled banter, magical trials, betrayals, and forbidden tension—you’ll feel right at home. It’s like catnip for those of us with this particular weakness. The chemistry between the leads could have used a slightly slower burn to make the tension sizzle longer, but I still found myself completely invested in their dynamic. There are moments and phrases that feel a bit cheesy or underdeveloped, but honestly? I didn’t care. The vibes were exactly what I wanted. This book isn’t trying to reinvent the genre—it’s here to give readers like me what we crave: high-stakes magical drama, angsty romance, and the thrill of watching a badass girl and her brooding counterpart clash and spark. If that sounds like your kind of story, Wings So Wicked will hit the mark. Here’s hoping Book 2 turns up the heat and keeps the magic alive.
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Reviewed in the United States on May 20, 2025

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