Pay in installments of $400.88 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Sep 30 - Oct 5
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Lumens VC-A61P 4K 30fps PTZ IP CameraVC A61P 2160p and 1080p Resolution Optical Performance Video Workflow Flexibility AV Integration and Control 5 Year Warranty Watch the Video SPECS DETAILS 4K 30fps PTZ IP CameraA powerful and cost effective HD and UltraHD PTZ camera with 30x zoom, 3G SDI, HDMI and IP streaming. Supports 4K UHD at 30fps and 1080P at 60fps Powerful 30x optical zoom, with 68 degrees horizontal field of view at its widest setting Easy installation: delivers video output
- VC-A61P
- 2160p and 1080p Resolution
- Optical Performance
- Video Workflow Flexibility
- AV Integration and Control
- 5 Year Warranty
- Watch the Video
- SPECS DETAILS
4K 30fps PTZ IP Camera
A powerful and cost-effective HD and UltraHD PTZ camera with 30x zoom, 3G-SDI, HDMI and IP streaming.
A powerful and cost-effective HD and UltraHD PTZ camera with 30x zoom, 3G-SDI, HDMI and IP streaming.
- Supports 4K UHD at 30fps and 1080P at 60fps
- Powerful 30x optical zoom, with 68 degrees horizontal field of view at its widest setting
- Easy installation: delivers video output via Ethernet, HDMI, and 3G-SDI simultaneously
- Excellent support: 5 year warranty as standard
Supporting 4K and 1080p output, VC-A61P is future-proofed for all your production requirements for years to come. The CMOS sensor is partnered with a high brightness zoom lens which enables the camera to excel in virtually every lighting condition. It makes the VC-A61P a great PTZ choice, whether installed in a studio, theatre, conference center, or lecture hall.
The 30x lens is exceptionally powerful. It allows operators to zoom in close from the back of a venue or shoot wide to capture a full conference panel thanks to its 68 degree horizontal viewing angle. For extreme close shots, a digital zoom can be deployed, while 3D noise reduction maintains clear pictures and excellent results.
Equipped with HDMI, 3G-SDI, and Ethernet outputs, the VC-A61P can be integrated with almost any AV, broadcast or IP workflow. All models support simultaneous H.264 and HEVC streaming. Such a wide range of video outputs means that the camera is ready to fulfill a wide variety of roles - as a PTZ camera source for lecture capture, live event production, or video streaming direct to YouTube or Facebook.
*The VC-A61PN version of the camera adds NDI®|HX PTZ support for fast integration with NDI® infrastructures.
*The VC-A61PN version of the camera adds NDI®|HX PTZ support for fast integration with NDI® infrastructures.
Lumens VC-A61P supports both PoE (Power over Ethernet) and a 12v DC input. It also features dedicated RS-232 in-out ports, RS-422, and Ethernet-based control protocol support (including Crestron, Extron, Visca, Pelco D, FreeD, and Onvif). This gives the camera an unparalleled level of flexibility: whatever the video workflow, whatever the AV integration, VC-A61P is ready to take the complexity out of camera installation and management.
5 Year Warranty
Sensor
1/2.5" 8.57MP CMOS
Video Format
2160p: 29.97 / 25
1080p: 59.94 / 50 / 29.97 / 25
1080i: 59.94 / 50
720p: 59.94 / 50 / 29.97 / 25
Video Output (HD) Interface
3G-SDI / HDMI / Ethernet
Optical Zoom
30x
Digital Zoom
12x
Horizontal Viewing Angle
68°
Vertical Viewing Angle
38.3°
Diagonal Viewing Angle
78°
Aperture
F1.6 ~ F3.4
Focal Length
4.6mm ~ 135mm
Shutter Speed
1/1 ~ 1/10,000 sec
Minimum Object Distance
1.5m (Wide/Tele)
Video S/N Ratio
> 50dB
Minimum Illumination
0.1 lux (F1.6, 50IRE, 30fps)
Focus System
Auto / Manual / Smart AF
Gain Control
Auto / Manual
White Balance
Auto / Manual
Exposure Control
Auto / Manual
WDR
Yes
3D NR
Yes
Image Flip
Yes
Tally Light
Yes
IP Protocol
RTSP / RTMP / RTMPS / MPEG-TS / SRT
PoE
PoE+ (IEEE802.3at)
HDMI / 3G-SDI
HDMI Output: 2160p29.97
3G-SDI Output: 1080p59.94
IP Stream
HEVC(H.265) 4K 29.97fps
H.264 1080p 59.94fps
H.264 640x360 29.97fps
IP Compression
HEVC(H.265) / H.264
Panning Angle
+170 ~ -170°
Panning Speed
300°/sec
Tilting Angle
+90 ~ -30°
Tilting Speed
300°/sec
Preset Positions
256
Audio Input
Line In / MIC In
Audio Output
Ethernet / SDI / HDMI
Audio Compression Format
G.711
Control Interface
RS-232 / RS-422 / Ethernet / Remote
Control Protocol
VISCA / VISCAIP / PELCO D / ONVIF
IR Pass-Through
Yes
IR Receiver
Yes
IR Remote Control
Yes
DC In
12V +/- 20%
Power Consumption
PoE: 18W
DC In: 16W
Weight
4.4 lbs (2 kg)
Dimensions
6.9" x 7.5" x 7.3"
(174 x 190 x 187 mm )
Package Contents
Instruction for installation
Remote Control
Power Cord
Power Adapter
RS-422 Connector
Metal Plate A
Metal Plate B
M3 Screws
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 18 reviews
Sort
Product Reviews
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023