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Description
Banzeiro ÒkòtóExplore the profound narratives within 'Banzeiro kt,' a compelling exploration of the Amazon's plight through the eyes of acclaimed author Eliane Brum. This powerful book, published in 2023 by The Indigo Press, is a heartfelt testament to the destruction confronting the Amazon rainforest. With an ISBN of 9781911648611, it delves into Brum's transformative journey from So Paulo to Altamira, a city grappling with the devastating impacts of major dam
Explore the profound narratives within 'Banzeiro Ňkňtó,' a compelling exploration of the Amazon's plight through the eyes of acclaimed author Eliane Brum. This powerful book, published in 2023 by The Indigo Press, is a heartfelt testament to the destruction confronting the Amazon rainforest. With an ISBN of 9781911648611, it delves into Brum's transformative journey from Săo Paulo to Altamira, a city grappling with the devastating impacts of major dam construction along the Xingu River.In her lyrical and impassioned prose, Brum paints a vivid picture of her experiences as she connects with both the human and more-than-human inhabitants of the Amazon. 'Banzeiro Ňkňtó' serves not only as a personal memoir but also as a powerful call to action, urging readers to recognize the critical importance of preserving the Amazon and addressing the interconnected issues of gender, race, and class that exacerbate environmental degradation.
This book is a vital contribution to the climate justice movement, unearthing stories of resilience from the forest peoples and revealing the intricate relationship between structural inequities, capitalism, and ecological crisis. As Brum argues for a new kind of consciousness that acknowledges our shared responsibility for the planet, she invites us to reforest ourselves—physically and spiritually.
Join the dialogue on climate action and empowerment with 'Banzeiro Ňkňtó,' a fierce document of transformation that emphasizes the Amazon's centrality to global survival. Discover the significance of the book’s title, which intertwines the Amazonian word 'banzeiro,' denoting a river's vortex, and the Yoruba term 'Ňkňtó,' symbolizing infinity—reflecting the ongoing struggle for life and rebirth in the face of adversity.
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4.4 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 3
Your milage will vary
Format: Paperback
Some great ideas in this story but it didn't really work for me. But I know others have loved it..
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Reviewed in the United States on November 14, 2025
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
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Reviewed in the United States on March 30, 2025
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information.
The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog.
Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath."
At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
★★★★★ 5
Books
Format: Paperback
I bought this book for my husband as a Christmas present and he enjoyed the book!
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Reviewed in the United States on February 17, 2026