SKU: 41609448342

GERALD THURSTON FLOOR LAMP FOR LIGHTOLIER

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Description

GERALD THURSTON FLOOR LAMP FOR LIGHTOLIERA classic, '50s era tripod floor lamp designed by Gerald Thurston for LIGHTOLIER, with three shades and a three way switch. This brass and wood tripod design, a popular format of the period, was produced in many variations. The shades are brand new, but the patina is all original. GERALD THURSTON earned an industrial design degree from the School of the Art Institute of Chicago (SAIC). While a student, he produced freelance designs for the Zenith

A classic, '50s-era tripod floor lamp designed by Gerald Thurston for LIGHTOLIER, with three shades and a three-way switch.  This brass-and-wood tripod design, a popular format of the period, was produced in many variations.  The shades are brand new, but the patina is all original.

GERALD THURSTON earned an industrial design degree from the School of the Art Institute of Chicago (SAIC).  While a student, he produced freelance designs for the Zenith Radio Corporation in Chicago (now Zenith Electronics LLC, part of LG Electronics).  His career began in earnest when we started work for the New Metal Craft Company in Chicago where he designed custom lighting fixtures and ornamental items for decorators and architects.  In 1938 he became a charter member of the Industrial Designers Institute (IDI), the oldest organization of professional industrial designers in the USA, where he served on the executive council and as chairman of the New York chapter.

Around 1950 he went to work for the American lighting manufacturer LIGHTOLIER of New York and Jersey City.  He worked there for 30 years before retiring from the Jersey City office as head of the design department of residential lighting.  During his tenure with LIGHTOLIER he became well known internationally for an exhaustive catalogue of designs, including the famous 'Scandia' collection.

During America's post-war construction boom and rise of mid-Century modern design, LIGHTOLIER's in-house product design team was of critical importance.  Thurston’s right hand was actually insured for a million dollars.  (At the height of his career the design methodology encompassed drawing illustrations on craft paper—a far cry from the computer-generated graphics process of today.)  Thurston remained passionate about his work until the end, as his oeuvre makes abundantly clear.  He died in 2005, leaving behind a truly rich body of work.

LIGHTOLIER is an American company that manufactures and sells a wide array of lighting fixtures.  It was founded in 1904 by Bernhard Blitzer under the name of New York Gas and Appliance, Co.  When electric lighting started to be more widely accepted, the name was changed to LIGHTOLIER—a portmanteau of "light" and "chandelier."  In its early years, the company specialized in fancy, decorative chandeliers, but shifted to the high-end design and architectural markets in the 1920s.  Gerald "Jerry" Thurston was hired to head its residential lighting department in 1950; the relationship lasted for 30 years and transformed the company into a premier manufacturer of modern lighting for the home.  The names LIGHTOLIER and Gerald Thurston became virtually synonymous.

In the 1960s LIGHTOLIER introduced the very first track lighting system, designed by the late Anthony C. Donato.  (Unlike the horizontal tracks of today, it was vertically integrated.)  During this same period the firm began importing European designs, including those of Gaetano Sciolari.  Also notable is the success of its 'Lytegem' series designed by Michael Lax (1965), now part of MoMA's permanent collection.  LIGHTOLIER is also acknowledged for advanced reflector designs.  It was the first company to introduce digital lighting systems in the early '90s.

LIGHTOLIER is a Sustaining Member of the Illuminating Engineering Society of North America, a founding member of the American Lighting Association, an ally of the EPA Green Lights program, and a Partner of the Lighting Research Center.  In 2007, Philips Royal Electronics announced that it would acquire the Genlyte Group, putting LIGHTOLIER under its umbrella.

If you can’t convince them, confuse them! – GERALD THURSTON

Design Period – 1950-1959

Country of Origin – USA

Designer – GERALD THURSTON

Maker – LIGHTOLIER

Attribution – WELL-KNOWN

Materials – BRASS, MAPLE

Condition – VERY GOOD (no defects; may show slight traces of use)

Plug – N. AMERICAN

Height (in.) – 63.0

Diameter (in.) – 12.0

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SKU: 41609448342

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4.5 ★★★★★
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J
Verified Purchase
J Clemence
Boise, US
★★★★★ 5
Great resource for keeping up biblical language skills
Format: Hardcover, Format: Hardcover
I am excited to have purchased this book. I graduated from seminary over a decade ago, and I have definitely lost a lot of my proficiency with Greek and Hebrew. I have been looking for something to help get back into the flow of things, and this just might be it. The book contains both the Hebrew and Greek scriptures, which makes it several inches thick. On the plus side, the whole Bible is there in one book. However, it's not as portable as I'd like it to be. But that is the only downside I've discovered so far. The pages and hard over are of really good quality--they just feel good in your hands. The Hebrew and Greek fonts used are very readable, better than my critical editions. Some other reviewers have commented negatively on the yellow paper, but it hasn't been an issue with me. (Your results may vary.) The text itself has footnotes with quick definitions for all infrequent words (occurring <100x for Hebrew, <30x for Greek), so you don't have to look up that one word in the passage that, as it turns out, is a hapax legomenon or something. Each Testament also has a short lexicon with quick definitions for every word not defined in the footnotes. So in theory you should be able to look up any word quickly and easily just with this book. As an added bonus, infrequently occurring names in the Hebrew Bible are indicated in a light grey font, so again, you can quickly see that it's a name instead of getting frustrated trying to translate it as a regular noun. One word about usage: This is not an "academic" book per se. That is, you're not going to be able to do detailed word studies or compare manuscript variants with this book. Even the definitions are just quick glosses, meant to get you down the road, not to provide technical etymological information. The purpose of this book is to help you read and familiarize yourself with the original-language text, or, like me, to keep your language skills sharp. And I believe that it will do this well.
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Reviewed in the United States on July 11, 2020
B
Verified Purchase
Bridget A. Trotter
Lowell, US
★★★★★ 5
Works well
Format: Hardcover
Great study tool
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 28, 2025
A
A Writer and the Word
Natrona Heights, US
★★★★★ 4
An Great Upgrade from the Previous Edition, but a bit yellow
Format: Hardcover, Format: Hardcover
The Zondervan Greek/Hebrew Reader's has been a classic for students of biblical languages, who desire a full biblical text (WLC for OT/Eclectic text (NIV) for NT) with the helps and assist of a Reader's edition. The first edition (black, bonded leather) has been a mainstay for a number of years. This new release (second edition) updates a few things from the previous edition. The second edition comes in a cloth-bound hardcover, which is an upgrade in my opinion from the previous editions bonded leather cover. The cover provides structure to the updated and improved binding. The fonts have been updated across the board, they are bolder and easier to read. This editions brings a lot of great updates and improvements on the first edition. Unfortunately, the glosses provided at the bottom of each page are organized in paragraph form, rather than in columns (UBS5), which makes it a bit difficult to find the footnote number and word you're searching for. Another big change is the paper color. The first edition had a bright white paper, the second edition is a deep creamy yellow paper. While I'm a fan of how readable this edition is (due to font changes), I feel the paper is way too yellow than it should be. (check pics see the difference). All in all, if you can deal with the yellow paper, this is a fantastic edition to have for reading in the biblical languages. **bible graciously provided by Zondervan for an honest review
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Reviewed in the United States on June 6, 2020
S
Verified Purchase
Stephen Mathews
Louisville, US
★★★★★ 5
Very nice
Format: Hardcover
They greatly improved the font (ie. a kappa looks like a kappa) and the yellowish pages are easier on the eyes. I really like it.
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Reviewed in the United States on April 5, 2021
J
Verified Purchase
Jason
Dallas, US
★★★★★ 5
Excellent quality, great readability
Format: Hardcover
Great for reading. No complaints here.
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Reviewed in the United States on December 31, 2022

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