HAND-THROWN ALVINO BAGNI WHITE ON TAN TABLE LAMP

HAND-THROWN ALVINO BAGNI WHITE ON TAN TABLE LAMPA worthy, mid century Alvino Bagni table lamp from the 1960s. An intricate wax resist process carves out a grid of square tiles in the smooth, glossy white top glaze, which stands out in slight relief from a pebbly, brown and tan background. The horizontal rows of the grid house bands of rings that encircle the lamp; the individual rings appear to twist in unison on vertical axes. This modest optical effect is visually dynamic without being

A worthy, mid-century Alvino Bagni table lamp from the 1960s. An intricate wax-resist process carves out a grid of square tiles in the smooth, glossy white top glaze, which stands out in slight relief from a pebbly, brown and tan background. The horizontal rows of the grid house bands of rings that encircle the lamp; the individual rings appear to twist in unison on vertical axes. This modest optical effect is visually dynamic without being overwhelming. 27" to the top of the shade.

ALDO LONDI (1911-2003) was one of Italy’s most celebrated master ceramists. He spent most of his long and successful career creating exceptional works of great art and craft for the Italian ceramics firm Bitossi Ceramiche. He thought of himself as a "Man of Work" (Uomo di Lavoro) who focused on discovery rather than pure invention.

Just outside of Florence, Londi’s hometown of Montelupo Fiorentino had been an important center of pottery production in Tuscany since the Renaissance. At the age of eleven, in 1922, Londi went to work for the region’s then-premier ceramics workshop, Fratelli Fanciullacci (Fanciullacci Bros.). There, he would master the time-honored methods of the local industry. Following WW II—upon his return to Italy from South Africa, where he was held captive as a prisoner of war—Londi became creative director at a second Montelupo manufactory, Bitossi Ceramiche. He would retain the position for more than 50 years.

Londi’s high-level technical expertise and vast experience in traditional artisanal methods allowed him to create distinctively expressive and whimsical forms and finishes for Bitossi. His best-known collection is perhaps the 1950s-era Rimini Blu, a now-iconic midcentury series that encompasses over 150 designs. The décor is a vibrant blue, densely embossed with abstract shapes and motifs that often create a frieze—fantastic loops of geometric elements endlessly chasing each other, enhanced by touches of green and cobalt. This proprietary decoration holds historical importance as it helped to bring handcrafted works into the modernist design conversation in Italy. Although not the only color Londi utilized, blue has become closely associated with his work. Londi’s last solo collection, ARKitectura, is a striking exception—it features elegantly minimalistic animal figures—fish, cats, shorebirds—glazed in monochromatic black, white, or platinum.

Starting in 1958, Londi began a fruitful collaboration with the legendary architect-designer Ettore Sottsass (1917-2007), who considered Londi an important mentor. During his tenure with Bitossi, Londi would also work with Italian artist and designer Piero Fornasetti (1913-1988), Italian architect and designer Matteo Thun (b. 1952), and Egyptian-American industrial designer Karim Rashid (b. 1960).

Most of Londi’s collections are still in production today and are widely collected by ceramics enthusiasts. Many of his original works can be seen at the MAIB–Artistic Industrial Bitossi Museum in Montelupo, which is dedicated to the history of the company.

BITOSSI CERAMICHE was established in 1921 as Manifattura Ceramica Cav. Guido Bitossi & Figli by Guido Bitossi in Montelupo Fiorentino—a medieval hilltop Tuscan town with an ancient tradition of ceramic production, located a few kilometers outside Florence. The Bitossi family, documented in the area as early as 1536, had for centuries worked there as sculptors, as painters, but especially as potters. In the 20^th century, under Guido’s leadership, they would introduce an extraordinary stylistic and formal renewal of their craft.

In the late 1940s, the master ceramist Aldo Londi (1911-2003) was named creative director at BITOSSI CERAMICHE. He would hold the position for more than 50 years and would design over 1,000 objects for the company. Himself a Montelupo native, Londi brought to BITOSSI a deep expertise in the traditional production of ceramics. At the same time, he keenly appreciated the streamlined forms of the mid-century moment. He is perhaps best known for his Rimini Blu collection, an iconic series comprised of over 150 designs; it is still in production today and widely collected by enthusiasts.

During Londi’s tenure, BITOSSI collaborated successfully with a host of famous designers, including the legendary architect-designer Ettore Sottsass (1917-2007). An avatar of 1960s counter-culture, Sottsass thought design should be provocative and sensual, and his avant-garde style blended well with BITOSSI’s mid-century aesthetic. Besides Sottsass, BITOSSI partnered with designers Piero Fornasetti, Karim Rashid, Arik Levy, Fabio Novembre, Benjamin Hubert, Matteo Thun, Monica Förster, and Cédric Ragot.

Today, BITOSSI CERAMICHE is justly considered an institution. The Bitossi family and its foundation have amassed an archive of over 7,000 historical documents and materials related to the production of ceramics. The assemblage is housed in the Bitossi Artistic Industrial Museum in Montelupo. In 2014, BITOSSI became an official member of the Registry of Italian Historical Companies, appointed by the Italian National Union of Chambers of Commerce.

Man does not create... he discovers. – ALDO LONDI

DETAILS

Designer – ALVINO BAGNI

Design Period/Year – 1960s

Maker – UNKNOWN

Production Period/Year – 1960s

Origin – ITALY

Styles/Movements – MID-CENTURY MODERN

Materials – CERAMIC

Colors – WHITE, COFFEE, TAN

Shade – INCLUDED

Power – UP TO 120V (US STANDARD), CORDED, TYPE “A” PLUG

Condition – Very good vintage condition. May show minor signs of previous ownership and use.

Dimensions – 16" DIAM. × 28" H