SKU: 46403494707

Rabt Sbayta 007 Lunar Meteorite Slice, Feldspathic Breccia, 4.00g, Slice

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Description

Rabt Sbayta 007 Lunar Meteorite Slice, Feldspathic Breccia, 4.00g, SliceComplete lunar highlands specimen from Earth's closest celestial neighbor This 4. 00g slice of Rabt Sbayta 007 preserves a cross section of lunar feldspathic breccia, representing material from the Moon's ancient anorthositic highlands. The slice captures the brecciated texture characteristic of lunar regolith that has been repeatedly impact processed over billions of years. Feldspathic breccias form when meteorite impacts on the lunar surface

Complete lunar highlands specimen from Earth's closest celestial neighbor

This 4.00g slice of Rabt Sbayta 007 preserves a cross-section of lunar feldspathic breccia, representing material from the Moon's ancient anorthositic highlands. The slice captures the brecciated texture characteristic of lunar regolith that has been repeatedly impact-processed over billions of years. Feldspathic breccias form when meteorite impacts on the lunar surface pulverize and compact older highland rocks, creating a mosaic of angular mineral fragments bound together in a fine-grained matrix.

Rabt Sbayta 007 was recovered in 2017 from Western Sahara as part of a small group of paired lunar finds. This complete slice offers collectors the full visual context of the meteorite's internal structure without the limitations of partial fragments or end cuts.

Brecciated lunar regolith structure

The feldspathic breccia classification indicates this specimen consists predominantly of plagioclase feldspar fragments derived from the Moon's primordial anorthositic crust. Under magnification, the slice reveals angular clasts of varying sizes embedded in a darker, fine-grained matrix. This texture records the violent history of the lunar surface, where impacts shatter bedrock and weld fragments together through shock compression and local melting.

The slice format preserves both faces of the meteorite, showing how brecciation extends throughout the specimen. Light-toned feldspar clasts contrast with darker shock-melt regions, creating the mottled appearance typical of feldspathic lunar breccias.

Scientific context

Feldspathic breccias originate from the Moon's highlands, which formed approximately 4.4 billion years ago when plagioclase feldspar crystallized and floated to the surface of the lunar magma ocean. Unlike the darker basaltic mare regions visible from Earth, the highlands represent the Moon's original crust. Impact gardening over billions of years has reworked this material repeatedly, creating the complex brecciated texture preserved in specimens like Rabt Sbayta 007.

Lunar meteorites reach Earth after large asteroid impacts excavate material from the Moon's surface with sufficient velocity to escape lunar gravity. These fragments orbit the Sun until gravitational interactions with Earth capture them. The Learn About Meteorites page provides additional context on how planetary materials travel through space to become meteorites in terrestrial collections.

Frequently asked questions

Is this meteorite authenticated? Yes. Rabt Sbayta 007 is classified in the Meteoritical Bulletin as a lunar feldspathic breccia. The complete MetBull entry can be accessed through the classification reference at the end of this listing. This specimen includes a certificate of authenticity documenting its classification and provenance.

What does feldspathic breccia mean? Feldspathic refers to the high plagioclase feldspar content derived from the lunar highlands crust. Breccia describes the fragmented, impact-welded texture where angular rock and mineral clasts are bound together in a matrix. This texture forms when meteorite impacts shatter and recompact surface materials.

What is included with this specimen? This listing includes the 4.00g complete lunar meteorite slice, a certificate of authenticity, a custom specimen card with classification details, and a display box for protection and presentation.

How rare are lunar meteorites? Lunar meteorites represent less than 1% of all classified meteorites. Only about 370 kilograms of lunar material has been recovered worldwide as meteorites, compared to thousands of tons of other meteorite types. Feldspathic breccias from the highlands are less common than basaltic lunar meteorites from the maria.

Can I see the lunar origin in this specimen? The brecciated texture and light-toned feldspar clasts are visible features consistent with lunar highland material. Laboratory analysis confirming the lunar origin examines oxygen isotope ratios, which match Apollo mission samples, and mineral chemistry that differs distinctly from terrestrial or other planetary rocks.

Collector significance

Lunar meteorites provide the only way for private collectors to own material from the Moon. While Apollo and Luna missions returned samples under government custody, meteorites like Rabt Sbayta 007 enter the commercial market through legitimate recovery and classification processes. The slice format offers display advantages over partial fragments, preserving both faces and the full internal structure of the specimen.

At 4.00g, this piece balances accessibility with scientific substance. The feldspathic breccia composition represents the Moon's primordial crust, offering different geological context than the basaltic mare meteorites that dominate some collections. For collectors building comprehensive Lunar Meteorites holdings, highland feldspathic specimens provide essential representation of the Moon's crustal diversity.

Meteoritical Bulletin entry: Rabt Sbayta 007 | Classification: Lunar (feldspathic breccia) | Find, Western Sahara, 2017

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SKU: 46403494707

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mrliteral
Boise, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
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Arthur E. Williams
Whiting, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
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Reviewed in the United States on August 24, 2006
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db
Omaha, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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SteelBlue
Omaha, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005
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An oldd Clancy fan
Los Angeles, US
★★★★★ 2
Make sure you buy the 2007 edition!!!!
Format: Paperback
I bought the book, enjoyed it and then realized that I hasd purchased the 2005 edfition and not the new 2007 edition. be careful as the new one is much better. Amazon should have made this clear!!!!!!!!!!!!
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Reviewed in the United States on December 8, 2007

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