SKU: 47143563826

HD Fluid Makeup

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Ships within 48 hours · Estimated delivery Aug 28 - Sep 2

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Description

HD Fluid MakeupHD Fluid Makeup is a medium to full coverage liquid makeup that gives a smooth velvety finish to the skin. Made for camera, this fluid looks very skin like on the skin and gives a long wear. Can be powdered or worn alone for a more dewy finish. A silicone base with a touch of oil gives this fluid great coverage, long wear and a beautiful look. Comes in an acrylic screw top bottle with a pump. The numbers represent the level of depth and the name is a

HD Fluid Makeup is a medium to full coverage liquid makeup that gives a smooth velvety finish to the skin. Made for camera, this fluid looks very skin-like on the skin and gives a long wear. Can be powdered or worn alone for a more dewy finish. A silicone base with a touch of oil gives this fluid great coverage, long wear and a beautiful look. Comes in an acrylic screw top bottle with a pump. 

The numbers represent the level of depth and the name is a guide to color. **Please refer to colors on the swatch photo. **Also, note that the makeups are meant to hit a wide range of undertones and blend well. 


  • Level 1 Ivory is light with a yellow undertone.
  • Level 1.5 Light Olive is light with a yellow-green. The most "neutral" of our light colors.
  • Level 2 Cream is light with a yellow-orange undertone. Think "peaches and cream". (Terri's wears this color.)
  • Level 3 Warm Beige is light-medium beige with a orange undertone. Think soft suntan. This is our best selling color and is a step above "light". It is super versatile and can blend into warmer and cooler skins. (Terri wears it in the summer.)
  • Level 4 Beige is medium with a red undertone. 
  • Level 4.5 Khaki is medium with a green undertone. This is very neutral with olive. 
  • Level 5 Tan is medium-deep with a red to red-violet undertone. 
  • Level 5.5 Bronze is medium-deep with a blue-violet undertone, great for shading or neutralizing warm toned foundations.
  • Level 6 Olive is deep with a red-orange undertone. 
  • Level 7 Pecan is deep with a red-violet undertone. 
  • Level 8 Ebony is deep with a red undertone. 
  • Level 9 Midnight is very deep with a violet undertone. 

*Helpful hint: this is a professional makeup and must be washed off at the end of the day, towelettes are not going to cut it. We recommend an oil cleanser and Terri's favorite is Tatcha.  Also, if you are unsure we offer samples. 

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 47143563826

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4.3 ★★★★★
Based on 18 reviews
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Verified Purchase
Wilbur F. Pierce
Fort Morgan, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Birmingham, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Belleville, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
Lake Worth, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Los Angeles, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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