SKU: 54079977069

James Yates One Pint 19th Century Pattern Pewter Baluster Tankard - This is an exact remake of the manufacturers original

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Description

James Yates One Pint 19th Century Pattern Pewter Baluster Tankard - This is an exact remake of the manufacturers originalIntroducing the James Yates Traditional Baluster Pewter Tankard This brand new tankard, crafted by the renowned pewter manufacturer James Yates, epitomizes traditional English craftsmanship. James Yates has been producing tankards in this pattern since around 1860, making this piece a timeless classic. Manufactured in the UK, these solid pewter 19th century pattern Baluster tankards are crafted to the exact design and dimensions used by the company in

Introducing the James Yates Traditional Baluster Pewter Tankard

This brand new tankard, crafted by the renowned pewter manufacturer James Yates, epitomizes traditional English craftsmanship. James Yates has been producing tankards in this pattern since around 1860, making this piece a timeless classic.

Manufactured in the UK, these solid pewter 19th-century pattern Baluster tankards are crafted to the exact design and dimensions used by the company in the 19th century. This ensures that the tankard not only looks identical to those made in the 19th and early 20th centuries but also weighs exactly the same as the originals, at 584g (1.29lb). This makes it significantly more substantial than most tankards produced by other manufacturers. Many contemporary tankards weigh as little as 200g (7oz), with an average of 275g (9.7oz). At 584g (1.29lb), these tankards are in a league of their own when compared to the lightweight alternatives.

Key Features:

  • Authentic Design: Adheres to the original 19th-century design and dimensions.
  • Substantial Weight: Weighs 584g (1.29lb), significantly heavier and more substantial than many modern tankards.
  • High-Quality Craftsmanship: Manufactured in the UK by James Yates, a company with a legacy of excellence since 1860.

The final two images show James Yates tankards made over 100 years ago, which are exactly the same size and weight as the current model, showcasing the timeless quality and design.

Interested in Original Tankards? If you are interested in purchasing one of the original tankards in good condition, James Yates usually has a good selection available. For images and more information about these tankards, which are typically over one hundred years old, please contact them via email at [email protected] or phone at 01306 430049 (international: +44 1306 430049).

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SKU: 54079977069

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4.5 ★★★★★
Based on 21 reviews
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A
Verified Purchase
AlanWarner
Phoenix, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
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Carole T Emberton
Port Orchard, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Omaha, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Pawtucket, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
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V. Young
Lowell, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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