SKU: 73793681768

CAMPEN, Michael Johan van. Puellae monstrosae delineatio, quam annuente summo numine …

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CAMPEN, Michael Johan van. Puellae monstrosae delineatio, quam annuente summo numine …A Monstrous Girl Described and Depicted CAMPEN, Michael Johan van. Puellae monstrosae delineatio, quam annuente summo numine Leiden: Jacob Douzy. 1793. 4to. Contemporary full red morocco, tooled in gilt to a panel design, large floral cornerpieces, centrepieces composed of smaller floral tools, borders roll tooled in gilt, spine ruled and gilt and decorated with floral tools, patterned endpapers of pink and green flowers; pp. v, [1 (blank)], 13, 8, [1

A ‘Monstrous Girl’ Described and Depicted

CAMPEN, Michael Johan van. Puellae monstrosae delineatio, quam annuente summo numine … Leiden: Jacob Douzy. 1793.

4to. Contemporary full red morocco, tooled in gilt to a panel design, large floral cornerpieces, centrepieces composed of smaller floral tools, borders roll-tooled in gilt, spine ruled and gilt and decorated with floral tools, patterned endpapers of pink and green flowers; pp. v, [1 (blank)], 13, 8, [1 (blank)], with half-title, 2 folding copper-engraved plates by P[ieter] de Mare after A[braham] Delfos; typographic ornaments to title, typographic headpieces, woodcut tailpiece; nineteenth-century oval blind-embossed stamp ‘Du Cordes, Genève’ to title.

First and only edition of this handsomely bound and printed thesis on teratology submitted by Michael Johan van Campen for examination as doctor of medicine at the University of Leiden, focusing in particular on the effigy of a young girl preserved at the university’s anatomical museum, with intersex characteristics and missing both of her legs and her right arm.

Van Campen writes that those who lack legs as well as arms are ‘to be considered much more unfortunate [than those only lacking arms or hands], who use their feet in such a way that they hardly seem to lack the use of their hands’ (p. 2, trans.), citing the work of Italian physician Matteo Bazzani (1674–1749) on teratology and its incorporation into Gaetano Tacconi’s 1751 dissertation De nonnullis cranii ossiumque fracturis and describing at length Tacconi’s observation on patients who learned to write by holding quills in their mouths, pick up cutlery and slices of bread with their toes, and sew and weave using their feet.

Van Campen’s first-hand experience with congenital abnormalities comes from the ‘effigy’ of a ‘young girl, whom [Sandifort] had seen in [Leiden] some years ago, and met with on some occasions’, from the ‘remarkable collection of monsters which were exhibited at the Anatomical Theatre, or whose figures [Sandifort] had at hand’ (p. 9, trans.). She was able to move by lifting herself on one hand, and her torso ‘rested on what looked like two cushions’ (p. 10, trans.), or soft appendages, one of which was mobile, and she displayed numerous intersex characteristics. ‘The genitals could hardly be seen unless the girl leaned on her back and the two tubercles moved by hand. There were no labia of the vulva, but the folds of the skin merged into these protrusions, and the clitoris was prominent’ (p. 11, trans.), the plates by Pieter de Mare after Abraham Delfos respectively illustrating the girl’s entire body and the form of her genitalia.

The engraver and draughtsman Abraham Delfos (1731–1820) trained under Jan Wandelaar (engraver of the frontispiece and illustrations to Linnaeus’ 1737 Hortus Cliffortianus) and was responsible for numerous medical illustrations and anatomical drawings, including a depiction of a charlatan doctor now held by the Rijksmuseum and some three hundred drawings of specimens for the use of the Anatomical Museum of Leiden, notable for its teratological collections and including drawings of hydrocephalus and conjoined twins, inter alia. The museum’s collections were later described in full by Eduard Sandifort, professor of anatomy at Leiden and prefect of the university (mentioned in the present work on p. 8) who had commissioned illustrations of dissection by Delfos, and by Sandifort’s son Gerard (1779–1848).

There follows a laudatory poem in Dutch, written in Van Campen’s honour by his friend Johannes Elias Goetzee (JUD).

OCLC finds four copies outside continental Europe, two in the US (Harvard, NLM) and two in the UK (Edinburgh, Wellcome), to which Library Hub adds another at Glasgow.

STCN 298294575; Index-catalogue of the Library of the Surgeon-General’s Office III, p. 104; Sandifort, Catalogus librorum: cum medicorum, anatom., chirurg … (1849) 564; seemingly not in Wellcome.

SKU: 2123849

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Tyler Kline
Fort Morgan, US
★★★★★ 5
Good looking shelves and easy install - skip the included drywall anchors
Color: Black, Number Of Shelves: 2, Size: 22in
I installed these shelves in a bedroom to get things off my dresser and some decor. Once mounted they look really nice. The black finish looks clean and modern and they blend in well with the room. Installation was pretty straightforward. The metal bracket mounts to the wall first and then the shelf slides over the bracket. As long as you take your time lining things up it’s a simple project. One thing I strongly recommend is not using the white plastic self-drilling drywall anchors that come with the kit. I’ve used that style before on other projects and they tend to strip out easily and leave larger holes in drywall. I used better anchors instead and the shelves mounted much more securely. The rest of the hardware worked fine and once installed the shelves feel solid and hold items well. Pros - Clean modern look - Easy installation - Feels solid once mounted - Good size for books or decor Cons - The small level included isn’t very accurate — use your own level - One of the metal brackets was slightly bent out of the box but straightened out easily Helpful tip: Use your own level and better drywall anchors if you have them. It makes installation easier and the shelves will mount much more securely. Final thoughts: For the price these are nice looking floating shelves that install easily and work well for light storage and decor.
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Reviewed in the United States on March 13, 2026
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Coffman, H
Boise, US
★★★★★ 5
Cheap, and effective!
Color: Black, Number Of Shelves: 4, Size: 15.7in
Looks good, works great, low cost. I'll be purchasing more in the future.
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Reviewed in the United States on May 12, 2026
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Amazon Customer
Massapequa, US
★★★★★ 4
Cute for coffee bar!
Color: Black, Number Of Shelves: 4, Size: 15.7in
Great for above my coffee bar. Easy to mount and align. Seems stable!
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Reviewed in the United States on April 14, 2026
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Samuel Roberts
Lowell, US
★★★★★ 5
Great shelves, strong, secure, sturdy, decent size, unbeatable price.
Color: White, Number Of Shelves: 4, Size: 15.7in
Easy installation fits where we wanted them. Stable strong secure snug fit. Cleans easily with dust wipe. I would recommend buying these.
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Clara
Phoenix, US
★★★★★ 3
The shelves sag away from the wall overtime
Color: White, Number Of Shelves: 2, Size: 15.7in, Color: White, Number Of Shelves: 2, Size: 15.7in
Although the wood quality and finish of the shelf are clean and well-made, the main issue is that the shelves begin to sag over time while holding around 10 pounds, even though the product listing claims they can support up to 20 pounds. They may perform better on a brick wall, but on drywall you should be cautious. To fix the problem, I had to purchase floating shelf brackets for support, which solved the sagging issue. However, this defeats the purpose of the “floating” aesthetic. Since the shelf is in my bedroom, I can overlook it, but I personally wouldn’t install these in a common area if I wanted a clean floating look.
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Reviewed in the United States on May 27, 2026

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