SKU: 84233676983

LACTANTIUS [Opera.] Divinarum institutionum libri VII. De ira Dei, liber I. De opificio Dei, liber I. Epitome in libros suos liber acephalos. Phoenix. Carmen de dominica resurrectione. Carmen de passione Domini.

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LACTANTIUS [Opera.] Divinarum institutionum libri VII. De ira Dei, liber I. De opificio Dei, liber I. Epitome in libros suos liber acephalos. Phoenix. Carmen de dominica resurrectione. Carmen de passione Domini.Reading Lactantius during the Counter Reformation LACTANTIUS [Opera.] Divinarum institutionum libri VII. De ira Dei, liber I. De opificio Dei, liber I. Epitome in libros suos liber acephalos. Phoenix. Carmen de dominica resurrectione. Carmen de passione Domini. [Basel: Andreas Cratander. 13 February 1521.] [bound with:] SYMMACHUS, [Quintus Aurelius]; Laudivio [ZACCHIA DA VEZZANO]. Epistolae familiares. Item Laudini Eovitis hierosolymitani in epistolas

Reading Lactantius during the Counter-Reformation

LACTANTIUS [Opera.] Divinarum institutionum libri VII. De ira Dei, liber I. De opificio Dei, liber I. Epitome in libros suos liber acephalos. Phoenix. Carmen de dominica resurrectione. Carmen de passione Domini. [Basel: Andreas Cratander. 13 February 1521.]

[bound with:]
SYMMACHUS, [Quintus Aurelius]; Laudivio [ZACCHIA DA VEZZANO]. Epistolae familiares. Item Laudini Eovitis hierosolymitani in epistolas Turci Magni traductio. [Strasbourg: Johann Knobloch [I]. 1511].

Two works in one volume, 4to. Sixteenth-century blind-stamped pigskin over wooden boards, sewn on 3 cords, borders roll-tooled with pomegranates, two-headed birds flanked by small six-pointed stars, and flowers in pots, two brass clasps and catchplates, spine lined with manuscript waste, seventeenth-century paper spine label; Lactantius: pp. [20], 433, [1 (errata)], final leaf k6 (printer’s device, blank) excised; Symmachus: ff. [55], [1 (blank)]; title of Lactantius within elaborate architectural woodcut border by Hans Holbein the Younger, woodcut initials and headpieces; short split to upper joint, lower compartment of spine rubbed and discoloured , pinhole wormholes to upper board, slight wear to corners and extremities, lower corner of rear free endpaper excised; first two quires of first work slightly loose, sporadic light toning to both works, Lactantius with small wormtrack to Book I of Divinae institutiones (touching one or two words per page but not affecting sense) short closed tear to upper corner of i1, small marginal loss to upper corner of i2, sporadic light toning, short closed tear to o3 fore-edge not touching annotations or text; very good copies; early sixteenth-century motto to title of Symmachus, cancelled in mid-sixteenth-century red ink, mid-sixteenth-century initials ‘FC’ and motto ‘sua ?cuique sors ferenda [est]’ to both titles, contemporary annotations in red and occasionally dark brown ink to c. 100 pp. of Lactantius in the same hand, partially cancelled ownership 1580 inscription ‘Ex Libris Michaelis Rhommeysen’ and 1589 reading note ‘perlegendo finii’ to front pastedown (see below), seventeenth-century ownership inscription ‘Collegii Societ[at]is Jesu Fuldae’ to title of Lactantius.

Handsome first Cratander edition of the works of Lactantius, bound with a very rare Strasbourg edition of fifteenth-century letters spuriously attributed to Sultan Mehmet II, with over one hundred pages of near-contemporary annotation and with the 1589 reading notes of a Catholic canon from Rasdorf; this volume was soon afterwards transferred to the newly established Jesuit college in nearby Fulda, the site of one of the largest witch trials in Germany at the start of the seventeenth century.

Cratander (born Andreas Hartmann, c. 1485–c. 1540) published editions of Lactantius’ works in 1524, and with Johann Bebel, in 1532. He collaborated on several occasions with Holbein and was particularly notable for his editions of the classics; the ornate woodcut border to the title, employed here for the first time, incorporates putti, Cratander’s device, portrait medallions, Salome with the head of St John the Baptist, and Lucretia (Johnson, ‘The Title-Borders of Hans Holbein’, Basel 9).

In his preface, Cratander brings to light his efforts to compare multiple manuscripts to minimise error, at some points in the text arranging ‘for another reading to be added: thus, if you have once acquired this single booklet, you can claim that you have obtained many and different copies of Lactantius’ (trans. Manuwald), e.g. providing variant readings in the form of printed marginalia on p. 51. Bound with the Lactantius are the letters of the Roman statesman and orator Quintus Aurelius Symmachus, and the Zacchia’s purported translation of the letters of Sultan Mehmet II to Turks living in various parts of the Christian world, in fact a literary invention by Zacchia himself.

This volume was owned by a mid-sixteenth-century reader (whose initials, F.C., appear on the titles of both works), with over one hundred pages of annotations demonstrating a careful reading of the text, providing lists of relevant philosophers mentioned by Lactantius as well as concise summaries of complex points, the annotations largely to books I and II of Lactantius’ Divinae Institutiones, a defence of Christianity dismissing paganism as absurd and rooted in superstition. A motto to the title and to one page of the Symmachus in a greyish ink indicate the presence of an earlier reader.

By 1580, the volume was in the hands of Michael Romeisen (also Rommeysen or Rhommeysen), canon of the collegiate church of Rasdorf. Little is known of Romeisen’s life, but he produced two cartularies in Rasdorf, one of which commissioned by the church’s provost, and in 1587 he produced a manuscript choirbook-cum-processional for the church. Other books from his library frequently note start and end dates, as here: on the front free endpaper, he notes that he began reading in 1580 and finished nine years later, on 20 December 1589. His copy of Laurentius Surius’ legends (now at the University Library of Marburg) was given to the Jesuit College at Fulda in 1628, and later to the Princely Abbey of Corvey; the present volume was likewise given to the Fulda Jesuits, with the college’s early seventeenth-century inscription to the title of the first work and final page of the second in dark brown ink.

Rasdorf’s collegiate monastery had been a subsidiary monastery of Fulda’s since the eighth century. Fulda and Rasdorf, situated within the largely Protestant region of Hesse, were important Catholic strongholds during the Counter-Reformation.

The vehemently anti-Protestant Prince-Abbot Balthasar von Dernbach, a Benedictine monk at the monastery in Fulda, had invited the Jesuits to Fulda in 1571 to found a college and a school, and, in 1584, a Jesuit papal seminary college under Pope Gregory XIII as a means of promoting the cause of the Counter-Reformation.

Von Dernbach ‘had not previously known [the Jesuits] or seen one of their colleges; only their reputation … and most likely urgent recommendations from the Elector of Mainz persuaded him to do so. The summoned religious men arrived with delightful haste from Mainz and Trier and established a joint colony there. [Von Dernbach] built them a house and a school and provided them with income … he laid hands on Protestant religious practice in the main church and the subsidiary churches of the city of Fulda, managing to eliminate the Protestant clergy … and replace them with Catholic clergy of the strictest order, often Jesuits. Finally, these measures were extended to other towns of the Prince-Bishopric … and to the surrounding countryside using the same methods’ (Deutsche Biographie, trans.).

Lactantius’ documentation of the persecution of early Christians ironically coincides with the growing oppression of Protestants in Fulda, fomented by the presence of the Jesuits: in the coming years, von Dernbach would banish Protestants from Fulda, and the Fulda Witch Trials of 1602 to 1606 – one of the four largest witch trials in Germany – resulted in the deaths of some 250 people, largely used to target suspected crypto-Protestants.

Symmachus: OCLC finds only four copies outside continental Europe, two in the US (Michigan, Yale) and two in the UK (BL, Bodley).

Lactantius: Adams L-18; USTC 671383; VD16 L 38; this edition not in BM STC German (see p. 480 for the 1524 edition). Symmachus: BM STC German, p. 846; USTC 695348; VD16 S 10391; not in Adams. On Romeisen and his library, see Graf, ‘Michael Romeisen, Canon in Rasdorf’, in Ordensgeschichte (2014), online; on Cratander’s paratextual apparatus, see Manuwald, ‘Cratander’s Edition of Cicero (1528) from Humanist Basel’, in Cicero in Basel: Locating Classical Reception in a Humanist City (2024).

SKU: 2123413

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Tracy and Christina
Cuba, US
★★★★★ 5
Amazing!
Format: Kindle, Format: Kindle
This book was phenomenal, I devoured it within a few days! For this being a debut novel, it is fantastic and I would’ve thought the author was a seasoned author. I have zero complaints about this book. Let me start by saying that the world building was phenomenal. I could picture everything in my head because of how detailed it was — that’s how good it was written. And I absolutely love the “captive/captor” trope so much, it’s become one of my favorite tropes, so I was pleasantly surprised to see that this book had that. I loved the banter between Rogue and Ara — they’re both snarky and witty, plus with the romantic tension, it made the dialogue that much better. Speaking of romantic tension, yes there is spice but not so much of it that it overrides the plot, which I loved. For me, this would probably be on the 3/5 level of spice. This book had a ton of plot twists and I thoroughly enjoyed it.
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Reviewed in the United States on November 13, 2024
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R Spires
Natrona Heights, US
★★★★★ 4
High on Tropes and Satisfaction
Format: Kindle
This is a great Romantasy book full of action, adventure, and everything you look for in this genre. I won’t lie: it does kinda feel like the author found every common trope from every successful book of this kind and threw them all into this novel. But if it ain’t broke, don’t fix it. Especially in romance, there’s a large audience who has specific expectations, and they want them every time. Nothing wrong with that and many times I’m one of them. I have no idea what defines a spoiler honestly, so spoiler alert!!!!!!! Tropes include: Only one bed at the inn/bar Dissatisfaction with life before hunk appears Lost royalty The chosen one Montage of dress up time followed by shocked hunk Forbidden romance between two from rival peoples Power that cannot be controlled, simply guided/asked Gathering intel at the inn/bar FMC who knows how to fight/use weapons well There’s probably more but no need to list them all. Good story and I would recommend!
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Reviewed in the United States on June 14, 2024
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Lisa B.
Grantham, US
★★★★★ 5
OUTSTANDING
Format: Kindle
This was very, very good. The world is vast and characters are complex. There is a good plot with a whole lot going on. This is well written. Good twists and turns and some heart breaking moments. You will love these characters, they have heart and loyalty. I am hoping that there will be several more books. We've yet to see anything from the Sea Court but only a mention of them here and there. The Wood Court was given a quick couple of scenes, and only as far as some warriors, we've yet to enter their court and the Shadow Court, I'm not sure if they will be a force for good or bad, but they definitely will play a much bigger role moving forward. This is primarily the Ice and Air Courts. Told in multiple views, which I loved, it gives you a chance to see things from different eyes. There's alot of political maneuvering and deception. I loved it and will pick up the next book as it becomes available. If you like The Fae and the courts, you should love this. I think the author has mucn in store for us.
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Reviewed in the United States on March 8, 2020
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Jessika
Port Orchard, US
★★★★★ 4
Definitely worth the read!
Format: Kindle
After taking a deep breath and taking in that wicked twist of an ending, I have finally composed myself. My first thought when I started this book was that I love Reyna's character. I was intrigued by her connection with her familiar and the Ruin that is plaguing her land. It came as no surprise that she took her sister's place in an attempt to protect her. When they reach the Air Court everything slows down. This is where it was iffy for me. First of all, I like multiple POV's in books however 7 is a bit much. It starts to interrupt the story line. I felt like I was finally making progress connecting with one character, then it was switched to another person. I felt they all had necessary or pertinent information but not necessarily were they all POV worthy. The only other thing that annoyed me was that Reyna constantly was " trapped." She would rush off without thinking, only to need rescuing. She is brilliant in a fight, but she really doesn't think through anything. Lorcan is amazing. I know he might be on the "bad" list, but his background is so interesting. Eislyn(Reyna's sister) is really so sweet, but calculating. I enjoyed her and Thane's dialogue. The author did an amazing job with the imagery in this book. Everything was so detailed it was easy to fall into the scene. I love unexpected twists and while part of the ending I expected, I wasn't expecting how it took place. All in all, I found it very entertaining and I am very invested in continuing this series. Favorite quotes: "The truth may be twisted but never false." "Who was she if she was not the enemy of the Air Court? What was her purpose of she no longer has that?" "In a war-torn land, love was always a lie."
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Reviewed in the United States on March 4, 2020
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KAB
Chelsea, US
★★★★★ 5
Great Read!!! Great story!!!
Format: Kindle
The series is long, but Ms. Wolfhart does a fantastic job of weaving this tale while bringing so much to the characters. Surprises and plot twists along the way to keep you intrigued. There is some graphic sex, but is no way the focal point. Grammar was excellent (a rare find with a lot of self publishers) with only a few noted errors. I rarely give 4 stars, let alone 5.
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Reviewed in the United States on April 30, 2021

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