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Description
Karran 32" Undermount Quartz Composite Workstation Kitchen Sink, Grey, QUWS-875-GR-PK2Karran 32" Undermount Quartz Composite Workstation Kitchen Sink, Grey, QUWS 875 GR PK2 Karran USA is one of the leading manufacturers of sinks and faucets for the kitchen and bathroom. Karran manufactures sinks in a variety of durable materials including stainless steel, acrylic, quartz composite, and vitreous china. The company was founded in the late 1990s in Vincennes, Indiana, USA, and has been a symbol for quality and reliability ever since. The
Karran 32" Undermount Quartz Composite Workstation Kitchen Sink, Grey, QUWS-875-GR-PK2
Karran USA is one of the leading manufacturers of sinks and faucets for the kitchen and bathroom. Karran manufactures sinks in a variety of durable materials including stainless steel, acrylic, quartz composite, and vitreous china. The company was founded in the late 1990s in Vincennes, Indiana, USA, and has been a symbol for quality and reliability ever since.
The Karran 32" Undermount Single Bowl Quartz Kitchen Sink Kit sets the standard for integrated kitchen sink design, combining a seamless undermount installation with advanced granite composite construction and a complete workstation accessory bundle that elevates every task at the sink. Constructed from 80% natural quartz composite and 20% acrylic resin, this superior undermount sink resists stains, scratches, abrasion, impact, and heat up to 535F with complete thermal shock resistance, outperforming traditional porcelain and stainless steel throughout decades of demanding use. The undermount installation sits flush beneath the countertop, eliminating the rim ledge found on drop-in sinks and creating a streamlined, uninterrupted surface from counter to bowl. At 32" overall with a 9" deep single bowl, this sink handles oversized pots, sheet pans, and heavy prep loads with ease. The built-in workstation ledge supports the included snug-fit R10 accessories, and the complete PK2 bundle delivers a dual-sided cutting board with fluid grooves and integrated handle, a roll-up drying rack that doubles as a 400F trivet, a 2-piece non-slip colander, and a color-matched basket strainer. Available in six premium matte finishes and cUPC certified with a limited lifetime warranty.
Available In:
Please see our color disclaimer.
Features
- Superior 80% quartz composite construction delivers enhanced stain, scratch, fade, and abrasion resistance throughout decades of demanding kitchen use.
- Advanced heat resistance up to 535°F with complete thermal shock resistance surpasses traditional sink materials.
- Undermount installation sits flush beneath the countertop, eliminating the rim ledge for a seamless, fully integrated kitchen aesthetic.
- Extra-deep 9" single bowl provides complete capacity for the biggest pots, sheet pans, and roasting pans without splashing.
- Optimized rear center drain placement maximizes usable bowl space and improves under-cabinet storage access.
- Integrated workstation ledge supports snug-fit R10 accessories to create a professional multi-zone prep and drainage station.
- Naturally sound-absorbent quartz composite construction reduces noise from running water and clattering dishes for a quieter kitchen.
- Dual-sided cutting board features fluid grooves on one side for capturing juices and a flat surface on the other for prep, with an integrated handle for easy lifting and hanging.
- Roll-up drying rack stores compactly when not in use and doubles as a heat-safe trivet rated to 400°F.
- 2-piece colander features non-slip edges that lock securely onto the workstation ledge and comes apart for easy cleaning.
- Color-matched basket strainer delivers a unified look while preventing debris buildup for clear, reliable drainage.
- Authentic natural granite composite appearance complements granite countertops with zero special maintenance required.
- Available in six premium matte finish colors: Bisque, Black, White, Concrete, Brown, and Grey.
- Inside bowl dimensions: 30" x 15-3/4" x 9". Zero pre-drilled faucet holes for flexible installation.
- 3-1/2" rear center drain opening is compatible with most standard garbage disposals.
- cUPC certified for complete compliance with North American plumbing standards.
- Limited lifetime warranty provides long-term protection and peace of mind.
- Award-winning quality, engineered for professional performance you can trust in your home.
- BASE CABINET: Recommended Minimum Base Cabinet Size: 36"
Details
| Bowl Split: | Single |
|---|---|
| Box Height: | 15" |
| Box Length: | 38" |
| Box Weight: | 53 lb(s) |
| Box Width: | 26" |
| Collection: | Quartz Undermount Sinks |
| Color: | Grey |
| Country of Origin: | India |
| Drain Placement: | Rear |
| Drain Size: | 3.5" |
| Faucet(s) Included: | No |
| Finish: | Matte |
| Inner Depth: | 9" |
| Installation Hardware Included?: | Yes |
| Installation Type: | Undermount |
| Item Height: | 9.75" |
| Item Length (Front to Back): | 19.25" |
| Item Weight: | 43 lb(s) |
| Item Width (Side to Side): | 32.375" |
| Material: | Quartz Composite |
| Minimum Cabinet Size: | 36" |
| Number of Bowls: | 1 |
| Number of Faucet Holes: | 0 |
| Overall Dimensions: | 19.25" x 32.375" x 9.75" |
| SKU: | QUWS-875-GR-PK2 |
| Shape: | Rectangular |
| cUPC Certified?: | Yes |
Warranty
Limited Lifetime Warranty
Karran Warranty Details (PDF)
Installation Instructions
Installation Instructions (PDF)
Product Specifications (PDF)
Product Care
Karran Product Care (PDF)
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 19 reviews
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Product Reviews
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork.
The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable.
Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere.
This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching.
The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography.
Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011