SKU: 95296444674

Zero-Toxic Sauté Pan Ø 11.81" with Lid

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Description

Zero-Toxic Sauté Pan Ø 11.81" with Lid*** Item shipped within 5 weeks max. *** Elevate Your Wellbeing with Our Revolutionary ZERO TOXIC Cooking Tool Forget traditional cookware! ZERO TOXIC isn't just a pot; it's an investment in your health, whether you have nickel allergies or simply prioritize healthy cooking. What sets it apart? SOLID TITANIUM COOKING SURFACE (not a coating): Ensures ultimate safety for you and the environment. Non toxic, Biocompatible & Eco Friendly: Releases no

*** Item shipped within 5 weeks max. ***

Elevate Your Wellbeing with Our Revolutionary ZERO-TOXIC Cooking Tool
Forget traditional cookware! ZERO-TOXIC isn't just a pot; it's an investment in your health, whether you have nickel allergies or simply prioritize healthy cooking.

What sets it apart?
SOLID TITANIUM COOKING SURFACE (not a coating): Ensures ultimate safety for you and the environment.
Non-toxic, Biocompatible & Eco-Friendly: Releases no harmful substances while cooking, preserving the natural flavors of your food.
Versatile Performance: Ideal for simmering hearty stews, achieving crispy fried foods, mastering rice dishes like paella, searing roasts before oven-finishing (all in one pan!), and even oven roasting.
Multi-layered Construction: Combines titanium, aluminum, and AISI 430 stainless steel for even heat distribution and exceptional cooking.
Stay-Cool Ergonomic Handles: Hollow steel handles ensure a comfortable grip and resist overheating.
Nickel-Free Steel Lid: Slightly convex design traps steam and maximizes capacity.

Our Promise to You:
Unmatched Safety: No risk of allergies or health concerns – free from non-stick coatings, nickel, and other potentially harmful substances. Withstands both acidic and alkaline ingredients, high temperatures, and won't release harmful fumes.
Sustainable Design: Titanium is a natural, recyclable material with minimal environmental impact.
Superior Performance: Ensures even heat distribution, boasts a slight natural non-stick quality, and allows for healthy, low-fat cooking.
Built to Last: Resists scratches, flaking, and high temperatures.
Comfort & Convenience: Well-balanced, lightweight construction with ergonomic, heat-resistant handles.
Energy Efficiency: Offers superior temperature control and exceptional thermal efficiency.
ZERO-TOXIC isn't just a pot; it's an investment in your health and well-being!

Experience the ZERO-TOXIC difference and discover a whole new way to cook!

Important Note:
While ZERO-TOXIC offers exceptional performance, professional-grade tools require professional care. Avoid leaving it unattended on the stove while cooking; always be mindful of your kitchen environment.

TECHNICAL FEATURES

  • Color: matte silver
  • Technology: single-body, multilayer
  • Material: Titanium - Aluminium - AISI 430 Stainless steel
  • Width: 3,0 mm (Steel: 0,6 mm, Aluminum 1,9 mm, Titanium: 0,5 mm)
  • Surface finish: external satin-finishing and internal sandblasting
  • Handles of satin hollow stainless steel, screwed on the outside, without internal rivets
  • Lid: Stainless Steel AISI 430, nickel free
  • Height: 3.34"
  • Sides: flared
  • Pan Weight: 3.96 lb
  • Lid Weight: 1.54 lb
  • Spilling board: yes
  • Heat sources: gas stove - induction - oven - ceramic
  • Metal tool proof: yes
  • Dishwasher safe: yes
  • Number of pieces: 1 saute pan + 1 lid

USE ZERO-TOXIC TO ITS FULLEST POTENTIAL

THE IMPORTANCE OF THE HEATING PHASE

What does this mean in practice? It means that we have to respect some basic guidelines, especially when we cook non-moist food in a ZERO-TOXIC pan and if we want to limit the use of seasoning (or even not use it at all)


Here they are

    1. Be patient while heating: if in fact we put food in the pan (steak, eggs) when it is not yet hot enough, it is likely to stick to the surface.
    2. Always cook food with low flame, in some cases (short cooking) we can even think of using the heat reflected by the lid and finish cooking with the fire off. Don't think that keeping the flame high will shorten the cooking time! This will not happen and instead we risk having the food stick to the bottom of the pan.
    3. In the final stages of 'wet' cooking, when we want the sauce to shrink or the broth to evaporate completely, we can raise the temperature a little. In this delicate phase you will have to carefully supervise the cooking process by lowering the flame again if necessary and by occasionally stirring the food with a spatula.

    MAKE THE MOST OF THE NATURAL NON-STICK PROPERTIES OF TITANIUM

    Titanium benefits from a certain natural non-stickness: it is not comparable to that of non-stick cooking units, but it is still superior to that of other metals.
    This feature also increases with use, so we recommend using ZERO-TOXIC cooking units initially for cooking moist food (stewed vegetables or meat) or with a normal amount of seasoning.
    After this "break-in" phase, you can move on to cooking with little fat, always remembering to cook over moderate or low heat: by wisely dosing the temperature you will avoid the food from sticking and it will be very easy to clean the pans after cooking.

      COOKING STEAK

      Some cuts of meat are more suitable than others for the preparation of a good grilled steak without seasoning: sirloin is certainly one of them, because it associates flavor and tenderness to an adequate fat content. In this way it will be possible to avoid adding seasoning, which, by overheating, could alter the flavor of the meat. We recommend a slightly fatty cut with an adequate thickness (2 cm).
      Metal is the ideal material to trigger the Maillard reaction. You know what I'm talking about right? It is the chemical reaction that takes place at temperatures between 140°C and 180°C, between the amino acids of proteins and sugars and gives rise to a beautiful brown color and that typical taste of 'roasted meat'. Titanium, thanks to its slight non-stick properties, will give you a hand in obtaining an excellent result.
      Not all meats can easily trigger the Maillard reaction: beef contains the right quantity of sugars to develop this reaction, whereas in order to promote the caramelization of white meats (chicken, veal, pork) it is necessary to marinate them (with olive oil and spices) and eventually add wine or lemon or honey while cooking.


      Let's see how to get a nicely browned steak with a ZERO-TOXIC pan:

        • You will need to have the patience to heat the pan over high heat for a long time (about 4 minutes) to reach the right temperature
        • After this time, place the steak, if possible at room temperature and well dried (wiped with paper towels) on the bottom of the pan and cook it without touching it until it comes off on its own. Only when you lift a flap you will see that it has reached a nice brown color you can turn it.
        • During cooking it is necessary to wisely dose the heat ( if necessary lowering the flame) because the temperature must be kept constant.

        Tip: if you only need to cook one steak you can use the 24 cm. pan; for two good steaks use the 26 or 30. In any case, we recommend that you do not overfill the pan: you will prevent the temperature from dropping too low and the water that will come out of the steaks will accumulate on the bottom, preventing the Maillard reaction from being triggered. If this happens, in fact, you will get sad-looking steaks: moist outside and dry inside, pale and hard!

          COOKING EGGS

          In case you want to cook an omelette or fried eggs, once again the secret lies in the correct temperature setting both when heating the pan and during cooking.

          • Let's look at fried eggs.
          • Oil and butter lovers are divided on the right fat to use when cooking eggs. We recommend using a mix of both to prevent the butter from turning black.
          • Heat it slowly over moderate heat, moving the pan so that it is evenly distributed (or using a bit of household paper for this purpose) . Only when the seasoning begins to ripple and sizzle slightly, place the eggs in the pan: if they open first, there is a risk of the egg white sticking to the bottom of the pan; if they open too late, there is a risk of burning them on the outside.
          • Cook the eggs for just long enough for the egg white to set and the yolk to compact slightly on the bottom while remaining soft and creamy on top (about 4-5 minutes).
          • However, if you want the egg white to be firm and the yolk to be almost liquid, add the egg white first, continue cooking for a while and then add the yolk.
          • Add salt (only on the egg whites) and if necessary pepper and serve.

          MILANESE RISOTTO

          Risotto alla Milanese - yellow rice with saffron - is an internationally symbolic dish of the Lombardy tradition. There is a codified recipe for this dish, approved and deposited at the City of Milan with a special ruling that gives it the status of De.Co.: Denominazione Comunale ("Communal Denomination"). It requires the inclusion of the following ingredients: beef marrow, roast beef fat, chopped onion and butter (for the sauté), concentrated meat broth for cooking the rice, saffron (in pistils), aged Grana Padano cheese and butter for the creaming. Wine is not included.

          We can obviously consider unorthodox recipes, but healthier and more digestible (with less fat) as well as delicate in taste, avoiding the use of marrow and roast fat, using a mix of butter and oil for the sauté and possibly using a vegetable broth.

          As for rice varieties, nowadays Carnaroli is the most popular, but we suggest to take into consideration Vialone Nano, IGP, with a smaller grain, excellent cooking properties, high amylose content, therefore perfect for Risotto all'Onda.
          The ZERO-TOXIC low casserole is perfect for cooking risotto, because it ensures uniform cooking and in no way alters the flavor of a food as delicate as rice. You can use the 26cm casserole for 3-4 servings and the 30cm casserole for 6-8 servings.

          Finely chop the onion and place it in the saucepan together with a little oil and a small knob of butter, sauté slowly until it turns golden brown and add the rice (two fistfuls per person). Toast the rice for a few minutes over moderate heat to prevent it from burning: at this stage you can stir the rice with a spatula. Then begin to incorporate the boiling, salted broth a little at a time, stirring constantly so that the rice releases its starch. If saffron in pistils is used, it should be added immediately, whereas the saffron in sachets should be added at the end of cooking (dissolved in a ladle of broth).

          When the saffron is cooked, remove the pan from the heat, add a ladle of broth, another dollop of butter and the grated grana padano (DOP, 24 months) and stir well in order to melt the butter and cheese and mix everything together. Let the risotto rest for a couple of minutes before serving.

          SOME QUESTIONS 

          Why does my Tritania pan sometimes change color and have a bluish or iridescent tint? How can I eliminate these colors?

          When heated at high temperatures, the titanium cooking surface of Tritania pans and pots can develop a bluish, blue, or iridescent coloration. This is a natural occurrence and confirms that the cooking surface is indeed made of pure titanium. The colors are an optical effect caused by the thickening of titanium oxide, which forms when the pan is exposed to air during cooking. This oxide layer actually protects the titanium surface, increasing its corrosion resistance and non-stick properties.

          Therefore, it is generally not recommended to remove this chromatic effect. However, if you find it aesthetically unappealing, you can vigorously rub the surface of the pan with an abrasive sponge and a cream detergent until the color is removed.

          How can I make my Tritania pans look perfect again? Can I use an abrasive sponge or scouring pad?

          Maintaining Tritania cookware is relatively simple, although it's important to cook over moderate heat to prevent food from sticking. The titanium surface is durable and can withstand vigorous cleaning.

          Immediately after use, it's advisable to rinse the pan under running water and then wash it in the dishwasher. If any food residue or marks remain, you can use a scouring pad or abrasive sponge and scrub the surface with circular motions. A regular dishwashing detergent, possibly with a few drops of vinegar, or a cream detergent can be used.

          Some scratches have appeared on the bottom of my pans, and although less visible, they are also present on the cooking surface. How come?

          The continuous rubbing caused by stovetop grates, especially those made of cast iron, can leave marks on the bottom of any pan. These marks are normal and do not affect the pan's performance.

          As for the cooking surface, the titanium foil is highly resistant to abrasion from cooking utensils or washing. While superficial scratches may appear if you use metal utensils, the coating will not peel or flake off because... there isn't any!

          In essence, the color changes, scratches, and overall appearance of your Tritania pan are normal and do not compromise its functionality.

          WARRANTY COMPLIANCE

          The warranty duration for Tritania Zero-Toxic cookware units sold by DUE BUOI AMERICA CORP through the website duebuoispatulastore.com is 2 (two) years. To benefit from warranty assistance, the Customer must keep the receipt or invoice of the purchased product.

          The Warranty applies to products presenting a conformity defect:

          • Detachment of handles and grips
          • Presence of holes on the surface of the cooking units
          • Cracks on the edges and/or walls existing at the time of delivery or occurring later, provided that the product is used correctly and in accordance with its intended use.

          When the customer notices a conformity defect, they must send an email to [email protected]  containing an accurate description of the alleged defect, accompanied by photographic documentation that highlights it.

          Customer Service will contact the user to acknowledge the complaint and agree on the possible return of the product. If Customer Service, based on the photographic documentation received, considers the reported defect to be unfounded, the customer will still be free to send the product to the company for physical analysis. The product for which non-conformity is reported must be shipped in adequate packaging, so that it can be repaired or replaced under warranty. Due Buoi America Corp. will agree with the customer on the collection of the product. If, after receiving the product, the company verifies that the reported conformity defect actually exists, the transport and repair or replacement costs will be borne by the company. Otherwise, if the company verifies that the reported conformity defect does not exist, the Warranty will not apply and the transport costs will be borne by the customer, in which case the company will inform the customer and the product will be returned to the shipping address indicated by the customer at the time of the order.

          The user acknowledges and accepts that any defects or damages caused by accidental events or by the user's responsibility or by a use of the products not in accordance with their intended use or by normal wear and tear will not be covered by the Warranty.  

          Shipping Notes
          • Free Standard Shipping on $100+ Orders to the USA.
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          Exchange/Return Notes
          • We offer a 30-day return/exchange service after receiving.
          • Final sale items are not eligible for returns or exchanges.
          • To process your return/exchange, please contact us at [email protected]
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          SKU: 95296444674

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          4.3 ★★★★★
          Based on 6 reviews
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          fernando pedernera
          Belleville, US
          ★★★★★ 5
          Have no fear!, or The writer's Victorinox.
          Format: Kindle
          You can't praise this book enough. There are a ton of how-to books out there, but this one really made a difference for me. Think of writing as a journey through the woods: You set up, you get in the muddle, and you come out (hopefully) on the other side. When doing this, we try to use as many tools and resources as we can to make it to the other side, but most of the time you fail (or tools fail on you) and you end up starving or being eaten by some wild animal in the muddle of the story. What James Scott Bell wants you to have in clear is that the most useful tool you can have out there is YOU. And all of his tips, advice and excercises are aimed to one thing and one thing only: how to unleash and harness the power of your story (and survive). It provides clear, straight-forward tools and tips, adressing many aspects of the writing process you won't find in many of them. It is a must-read for anyone interested in the study of plots and storytelling. Relevant examples that take in consideration a wide array of writer profiles, and Bell does not abuse with film examples (and most of the movies it references are also books i.e.: the maltesse falcon, the godfather, etc.). It contains useful excercises at the end of each chapter to help you put the tehcniques in practice and bring the best out of your learning experience. It really helped me overcome several issues I had with my novel-writing and opened my mind to a new scope on plot and str.. This is a wonderful book, written in the same gripping style that the author suggests to use, and with great success. I think this is a wonderful book because it does not give infalible advice. To me that is very important. Let me ilustrate how I felt by giving you the following example: (after developing content) -Regular book: so just do This (and fail, miserably). -Bell's book: Many writers had this problem before and by doing This you might also find a solution for it. In case That doesn't work, you could maybe try This, or come back at it again later on with a fresh view and give it another try.
          WAS THIS REVIEW HELPFUL?YesReportShare
          Reviewed in the United States on August 18, 2017
          N
          Verified Purchase
          Nancy C. Beck
          Lake Worth, US
          ★★★★★ 5
          Excellent resource
          Format: Paperback
          Two novel ideas ago, I had to put that one aside because I stuffed it to the point where the story made no sense. I intend to go back to it at some point, but for now, it's collecting dust. Also collecting dust is my more recent idea. I started with an outline (of sorts), wrote and rewrote it a few times...only to get stuck on Chapter 8 or so. I didn't know where to take the story. This one will probably never get resurrected...but you never know. Which leads me to one of the best things in this book: outlining with index cards. There's at least one other book touting this, but I'm sure there are others that do. What sets this one apart, in my mind, is his suggestions on how to set it up. This doesn't comprise a huge part of the book, but it made enough sense to me that I decided to give it a whirl. Almost 50,000 words later, I'm still chugging along, taking into mind his ideas (I'd never heard it put quite this way) about doorways of no return (more on that in a moment). Sure, I've made some changes, throwing out cards, rearranging cards, adding cards. That's the beauty of this system: it's not set in granite. If your muse takes you in a way that's different from what you originally wrote, go for it! Mr. Bell explains the doorways simply, at first, as transitions - from beginning to middle and then middle to ending. The first doorway gets your Main Character from beginning to middle; the idea is to create a scene where the MC is thrust into conflict in a way that keeps him/her there. With the second doorway (middle to ending), something has to happen to set up the final confrontation. It's usually a huge clue, a big piece of information, or a major crisis that sends the MC hurtling towards the conclusion. Mr. Bell explains these in greater detail, and I found his explanations quite understandable. But there's more to this book than that. Mr. Bell gets into how to come up with plot ideas, character arcs, revising, plot problems and cures, scenes, and tips and tools. I wasn't bothered by his reusing some of the same good writing examples, but it may make you cringe or roll your eyes. Other than that minor quibble, I think everything else about this book makes it shine as a writer's resource.
          WAS THIS REVIEW HELPFUL?YesReportShare
          Reviewed in the United States on December 1, 2006
          C
          Verified Purchase
          Corwin
          Carnegie, US
          ★★★★★ 5
          Most Helpful Book I've Read on Plot and Structure
          Format: Paperback
          This is a well-organized, easy-to-read guide to techniques used to develop plots and sound story structure. It includes 14 chapters and two appendices. They cover such topics as what a plot is, how structure holds plot together, how to get ideas, and how to handle/interweave plot into all the levels of a novel (from whole sections such as the Beginning or middle of the work, down to the micro level of individual scenes). He includes discussion of different "plotting systems" (from writing by "the seat of your pants" to types/methods of creating outlines of various levels of "thoroughness" for those interested in mild outlining to someone with full-blown OCD). It discusses complex plots and sub plots, character arcs in relation to plot, common problems and solutions, revision, and more. Every chapter ends with a few exercises to reinforce the topic covered. The two appendices are a checklist for reminding you of major plot components as you write, and how to create "back cover" (aka the blurbs on the back of your book, or the summaries on the inside flap of dust jackets). As a writer, I am a "seat of the pants" guy, who's reluctantly recognized it isn't working for me (a major motivation for getting this book). Bell's discussion of different styles of outlining, though brief, gave me ideas of how to proceed. While I've often read books that include exercises, I confess to rarely doing them -- Bell is an exception (no, I didn't do *all* of them, but.... :) ). His text uses plenty of examples, drawn from movies and well-known novels. I've read other works on plot and structure (both general books and at least two dedicated to these topics), and have found this one to be by far the most readable, instructive, easy-to-digest, and *helpful.*
          WAS THIS REVIEW HELPFUL?YesReportShare
          Reviewed in the United States on June 17, 2017
          C
          Verified Purchase
          Cora L. Foerstner
          Natrona Heights, US
          ★★★★★ 5
          I have a few instructional writing books I reread; this is one of them.
          Format: Paperback
          Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish by James Scott Bell may be the best book for plotting and creating structure in fiction stories that I’ve read. I have a few instructional writing books I reread; this is one of them. Plot & Structure works for writers who don’t use outlines and for those who do. Throughout Bell acknowledges and addresses how his ideas about plot and structure can be used by all writers. This isn’t a “my way or the highway” kind of book. Bell gives practical advice for all writers. What’s so great about Plot & Structure? The biggest plus is Bell’s practical and down to earth strategies and clear explanations. Here are the other greats: Bell’s approach isn’t a how-to formula; it’s more of a guide. His genre is thrillers, but he addresses the needs of other genres as well as those of literary fiction. He provides many strategies writers can use to approach plot and structure; plus, he encourages readers to find their own way of working. The exercises at the end of the chapters are practical. If you try some of them, you’ll discover that they aren’t busywork but helpful approaches to solving writing issues. Unless you’re a pro with so many publications behind you that you don’t need help, this isn’t a book to read once and put away. It’s a book you’ll come back to and get more out of with a second or third reading. If you want a formula or step-by-step program, this isn’t a book for you. He gives choices so you can find you own style and way of working. Which is one of the things like I about the book. It’s like going to a writer buffet and choose the strategies that work for you. If you are someone who writes without an outline, you are going to be surprised because Bell doesn’t leave you out of any of the equations. He has strategies for all writers.
          WAS THIS REVIEW HELPFUL?YesReportShare
          Reviewed in the United States on November 13, 2014
          M
          Verified Purchase
          Mel Bridges
          Massapequa, US
          ★★★★★ 5
          Great advice, guidelines, and suggestions: Bell writes with a contagiously inspiring attitude
          Format: Paperback
          I admire good organization when it comes to most things, especially in a book that purports to teach about structure. The organization of the book makes it easy to go back and reread a part; for example, if you are working on a beginning, middle, or end section in your fictional story, there are corresponding chapters for what you need. Each chapter has ending exercises that I imagine to be helpful, but I haven't actually worked them through although I've read them. You will read about elements that you need to know to how to do to write an appealing story, like characterization, settings, dialogue, and scene selection. It is recommended that you get a book with these elements as the main focus for a more detailed, expansive treatment (if you haven't done so already). Bell is most helpful on how to construct a scene. However, he does not have much to say about description, other than that it has a tendency to slow the plot and you should give details as needed but not more than that (on the line of a need-to-know-type of basis). Bell also has sections on how to brainstorm plot ideas and test whether the ideas are worthy of attention. This was something I needed to do with my last story idea that burned and crashed. Furthermore he tells of "plotting systems" used by many writers, which are the-strict-only-by-the-outline group (OPs) or the free-rein-no-outline group (NOPs) and writers using a little of both. The suggestions and tips are conveyed in a way that you can take and adapt them to your style. The chapter on common plot problems was very helpful. He even tells of how he squeezes in his writing time. Bell's way doesn't work for me, but you can take it and suit it to your own circumstances. What I like about Bell is that he writes in a non-demeaning way to new writers. There are some writing books which take punches at new writers, be it ever so subtly or blatantly (I would rather not name any names), even though these books may contain invaluable writing advice and tools. It is just refreshing to have Bell's attitude. He motivates me to write and be true to myself, especially in his introduction. So far it is one of the books I keep going back and rereading parts that are pertinent to what I am writing.
          WAS THIS REVIEW HELPFUL?YesReportShare
          Reviewed in the United States on February 8, 2006

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