SKU: 97254269996

Miles Davis - My Funny Valentine: In Concert (60th Anniversary-Edition Reissue) [180-gram]

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Miles Davis - My Funny Valentine: In Concert (60th Anniversary-Edition Reissue) [180-gram]Miles Davis Turns Balladic on My Funny Valentine: Live Album Is Distinguished with Deep Emotions, Spontaneous Brilliance, Poetic Elegance, and Sensitive Beauty Mastered at MoFi's California Studio and Pressed on MoFi SuperVinyl for Reference Sound: Mobile Fidelity's 180g 33RPM SuperVinyl LP 60th Anniversary Edition Reissue of the 1965 Set Plays with Lifelike Clarity, Balanced Tones, and Acoustic Intimacy My Funny Valentine: Miles Davis in Concert

Miles Davis Turns Balladic on My Funny Valentine: Live Album Is Distinguished with Deep Emotions, Spontaneous Brilliance, Poetic Elegance, and Sensitive Beauty Mastered at MoFi's California Studio and Pressed on MoFi SuperVinyl for Reference Sound: Mobile Fidelity's 180g 33RPM SuperVinyl LP 60th Anniversary-Edition Reissue of the 1965 Set Plays with Lifelike Clarity, Balanced Tones, and Acoustic Intimacy My Funny Valentine: Miles Davis in Concert marks several historic turning points. 

For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis' oft-controversial avant-garde leanings. Most significantly, the richly textured set - the bookend to the fast-paced Four & More - captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York's then-new Philharmonic Hall that occurred just months after President Kennedy's assassination.

Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. Mastered at MoFi's California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3, 000 numbered copies, Mobile Fidelity's 180g 33RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl's low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall.

The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. Held as a benefit to support voter registration in the South - and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC - the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy's death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.

Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader's equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet.

But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem 'one of the unsung heroes of modern jazz.' His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own. The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that's as transparent to the source. Here's your chance to experience them again and again.

1/4' / 15 IPS analog copy to DSD 64 to analog console to lathe Numbered 180g 33RPM SuperVinyl LP LIMITED EDITION OF 3,000

Tracklist 

Side One

  1. My Funny Valentine
  2. All of You

Side Two 

  1. Stella by Starlight
  2. All Blues
  3. I Thought About You
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SKU: 97254269996

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mike
Boise, US
★★★★★ 5
Helpful Tool Kit for MerCruiser Maintenance
This tool kit made servicing the gimbal bearing and checking engine alignment much easier than improvising with generic tools. The machining looks solid and the tools fit properly with MerCruiser components. Helpful set for anyone doing their own marine maintenance work. Definitely useful to have around for sterndrive service jobs.
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Reviewed in the United States on May 15, 2026
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Jo Bo
Pawtucket, US
★★★★★ 5
Saves So Much Time, Perfect Fit On Mercruiser Pre-Alpha Outdrive.
This is a very useful kit. Perfect fit to exchange and align the gimbal bearing on a Mercruiser MR/Pre-Alpha Outdrive. The metal rods are strong and well machined to fit the gimbal bearing and the template lines up great with the housing studs. The overall production quality is very good. Great value because the tools are very durable but for me the biggest value is the time saved. I had the bearing out in about 10 minutes. The ability to line up the bearing before attempting to attach the outdrive upper gear unit is very convenient and saves so much time. This are simple tools, very easy to use.
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Reviewed in the United States on May 1, 2026
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Rick
Massapequa, US
★★★★★ 5
Easy to use
Works great
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Reviewed in the United States on May 9, 2026
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Steve M.
Birmingham, US
★★★★★ 5
Works well. You need to drill a 3/8” hole
Appears to be well made, alignment bar slides in nicely. As stated, you need to drill a hole in the bar for the gimble bearing driver, the directions are not clear, what I did was before I take out the old gimble bearing, put an O ring on the bar close to the last step on the bar, slide the bar all the way in, then carefully slide the bar out, this marks the distance from the back of the gimble bearing to where the shaft on the outdrive bottoms out, move the O ring a 1/4” towards the stepped part of the alignment tool (this is so you won’t bottom out the alignment tool when driving the gimble bearing in) then slide the driver puck up to the O ring and use a 3/8” diameter transfer punch through the side hole in the puck to mark the bar. You need to drill a 3/8” diameter hole in the alignment bar, two V blocks, some clamps, and a drill press will make drilling much easier, after the bar is securely mounted and centered in the drill press, use a center drill, then 1/4” drill first, using plenty of oil, drill all the way through, then use the 3/8” drill, deburr both sides and you should be good to go. People complain that it doesn’t come pre-drilled, the reason is that not all out drives are the same so you have to fit it to the outdrive that you have. Fortunately, I have a machine shop at my house and have a jig setup with various drill bushings, but the method I described above should work for you. Just make sure you’re perfectly centered and secure before you start drilling.
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Reviewed in the United States on April 16, 2026
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Nancy filippi
Port Orchard, US
★★★★★ 5
A must pull your gimbal bearing
You do need to drill a hole but worked perfect
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Reviewed in the United States on December 26, 2025

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