SKU: 36315135411

10 New Zealand Freshwater Mussel Shell Pendant Beads, Tumbled, Drilled & Polished, Natural Iridescent, Pearlescent Craft Beads for Jewellery

Sale price$18.00 Regular price$20.00
Save 10%

Pay in installments of $5.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 4 - Aug 9

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

10 New Zealand Freshwater Mussel Shell Pendant Beads, Tumbled, Drilled & Polished, Natural Iridescent, Pearlescent Craft Beads for JewelleryMixed New Zealand Freshwater Mussel Shell Pendant Beads Tumbled, Drilled & Polished Natural Batch A curated batch of natural New Zealand freshwater mussel shell pendant beads, tumbled to soften edges, carefully drilled, and lightly polished to reveal their pearlescent or high iridescence surface. These beads retain the natural beauty of the shell, each with its own unique colouration, texture, and shape no two are exactly alike. Origin &

Mixed New Zealand Freshwater Mussel Shell Pendant Beads – Tumbled, Drilled & Polished Natural Batch

A curated batch of natural New Zealand freshwater mussel shell pendant beads, tumbled to soften edges, carefully drilled, and lightly polished to reveal their pearlescent or high-iridescence surface. These beads retain the natural beauty of the shell, each with its own unique colouration, texture, and shape — no two are exactly alike.

🌀 Origin & Sustainability:
Sourced responsibly from second-hand or naturally discarded shells, each piece is repurposed into a sustainable material for jewellery, crafts, or ritual use. The shells come from local freshwater mussels and are hand-processed in my studio.

🔬 Scientific Background:
• Material: Freshwater mussel shell
• Composition: Primarily calcium carbonate (CaCO₃) in the aragonite crystal form, with minor trace minerals giving natural variations in hue
• Structure: Layered nacre (mother-of-pearl) creates the iridescent sheen
• Origin: New Zealand

🎨 Uses & Applications:
• Jewellery Making: Pendants, charms, beadwork, necklaces, earrings
• Craft & Inlay: Resin art, mixed media projects, decorative inlays
• Spiritual & Ritual: Symbol of intuition, protection, and emotional balance. Often used in spell pouches or offerings, connecting the wearer to water energy and natural harmony

✨ Unique & Natural:
• Each bead is slightly different in size, shape, and colour — some show high rainbow iridescence, others soft pearlescent tones
• Perfect for those who value natural variation and character in their creations

📦 What’s Included:
• A batch of tumbled, drilled, and lightly polished freshwater mussel shell beads (number of beads may vary depending on batch size)
• Each batch listed in the images is the batch you will receive. If you wish to mix shell from different batches drop me a message to arrange that.

⚠️ Important Notes:
• Not suitable for consumption
• Small natural imperfections may be present due to the tumbled, unrefined nature of the shells.

✨ Care Guide:
• Avoid harsh chemicals, perfumes, or prolonged water exposure, as these can dull the natural iridescence.
• Wipe gently with a soft, dry cloth after wearing to keep the nacre layer shining.
• Store separately in a soft pouch or box to prevent scratches from harder gemstones or metals.
• If the luster begins to fade, a tiny drop of natural oil (like almond or jojoba) can be buffed in.
• For a higher shine, a resin polishing compound can be carefully applied to restore a mirror-like finish.

These pendants are naturally strong but nacre can be brittle if dropped on hard surfaces — treat them with the same care you would give to pearls or other nacre-based jewellery.

Each pendant is unique, and the ones pictured in the group photo are part of a larger batch. If you have your eye on a particular piece, please get in touch when placing your order and I’ll do my best to reserve it for you. Otherwise, one will be selected at random from the batch.

Customs & Import Duties
Please be aware that customs duties, tariffs, and import taxes are the responsibility of the customer. By placing an order, you agree that you are aware of and accept responsibility for any charges required under your country’s laws (including the new U.S. tariffs).

If customs fees are not paid and the item is returned, this will be considered a non-consented return. In line with legal requirements (such as within the EU), refunds will be processed where applicable, but any charges or costs incurred on my end may be deducted from the refund.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 36315135411

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.1 ★★★★★
Based on 20 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
David R. Papke
San Leandro, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Port Orchard, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Waukegan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Boise, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lowell, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

recommand products