SKU: 1024930390

FAT-LAVA BOX VASE Nr. 671 BY URSULA BEYRAU FOR GRÄFLICH ORTENBURG

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Description

FAT-LAVA BOX VASE Nr. 671 BY URSULA BEYRAU FOR GRÄFLICH ORTENBURGA large, striking fat lava box vase with rounded corners and an oval opening. Decorated in shades of matt brown and burnt orange, topped with glossy blue and red lava. Designed in the 1960s by Ursula Beyrau for Grflich Ortenburg. GRFLICH ORTENBURG was founded in 1946 by Hungarian count Alram Graf zu Ortenburg (1925 2007) on his familys estate in Tambach, Germany. Several clay pits had been developed on the property in 1939, and upon inheriting it, the

A large, striking fat-lava box vase with rounded corners and an oval opening. Decorated in shades of matt brown and burnt orange, topped with glossy blue and red lava. Designed in the 1960s by Ursula Beyrau for Gräflich Ortenburg.


GRÄFLICH ORTENBURG was founded in 1946 by Hungarian count Alram Graf zu Ortenburg (1925-2007) on his family’s estate in Tambach, Germany. Several clay pits had been developed on the property in 1939, and upon inheriting it, the Count decided to open a ceramics workshop in a side wing of his castle, Schloß Tambach. Initial production focused on ornately painted vases, bowls, and wall plates, all decorated by hand in an affiliated studio. As the decades progressed, more and more exciting Modernist designs—especially out of Italy—caught Ortenburg’s eye, and he re-aligned the studio’s aesthetic to take advantage of this post-war trend.

In 1949 the workshops in Gräflich began producing coffee and tea services. For cost reasons, only very few pieces were hand-painted at this point. International designers such as Tunisian sculptor Sebastiano Buscetta and American stylist Irene Pasinski were hired; their modern contributions to the product lines helped the company to achieve international success.

GRÄFLICH ORTENBURG’s later production was known for its heavy, rounded, Bauhaus-inspired shapes made of dark red clay. The period’s glazes were luxurious—thick and glassy. These innovations achieved great popularity as the post-war German art pottery industry burgeoned. By 1968, however, flagging sales prompted the Count to close down the ceramics studio and, as he was an avid sportsman, convert his estate into a game reserve. It survives to this day as a wildlife park.


DETAILS

Designer – UNKNOWN

Design Period/Year – 1960s

Maker – GRÄFLICH ORTENBURG

Production Period/Year – 1960s

Origin – WEST GERMANY

Styles/Movements – MID-CENTURY MODERN

Materials – CERAMIC

Colors – TAN, BLUE, DARK GRAY, RED

Condition – Excellent vintage condition. Appears to be unused. May show minor traces of previous ownership, but there are no flaws.

Dimensions – 5 ¾" W × 5" D × 12 ¾" H

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SKU: 1024930390

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Paulette Parsons
Lexington, US
★★★★★ 5
Depth of and New Understanding
Format: Paperback
PROFOUND!
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Reviewed in the United States on December 6, 2023
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Amazon Customer
Lexington, US
★★★★★ 5
Great!
Format: Paperback
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Reviewed in the United States on August 23, 2023
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Phyllis Ann Karr
Houston, US
★★★★★ 5
Well argued
Format: Paperback
Perhaps I should say at once that giving this slim but meaty volume five stars doesn't mean I personally agree with it. It has been many years since I have subscribed to the substitutionary theory of Jesus' death or the idea that the Bible is anything other than a record of human interfaces with the Unknown. But a review is not the place to argue such points at length. Also, it behooves people who want to think, to seek out alternate and even opposing points of view, in order to test and maybe revise their ideas. Jeremy Treat did not change my mind, but he might have if I held the same view he apparently does of Scripture. He argues well, clearly, and persuasively, and makes a Christianity grounded on this view look at least potentially like a pretty good basis for decent living. There are one or two points that troubled me a little. The concept that Jesus died for us as a community is sound in itself, but if carried to extremes looks very much like the idea that underlay the infamous religious wars and persecutions. Also, on page 86, Treat says: "Forgiveness is not merely dismissing a wrong. My wife and I teach our children that when someone apologizes to them, they should not respond by simply saying, 'It's okay' … To truly forgive, one acknowledges the wrongdoing but chooses to not hold it against the wrongdoer. Forgiveness is … accepting the penalty on behalf of the wrongdoer for the sake of the relationship. It is absorbing the pain yourself rather than seeking to put it back on the other person." Now, to me, this looks like such a clear recipe for Trouble that I very much wish Treat provided several examples for how, exactly, he sees it working in everyday life. Sometimes, as when the apology is a "Sorry" for inadvertently jostling you in a crowd, the simple "It's okay" seems to me by far the best response. These few possible danger points, however, should be understood in the context of the book as a whole, which gives me the very strong impression of a practical pastor who knows his stuff, makes things hang coherently together, and probably gives useful and comforting counsel. I'm guessing, by his book, that he is a man I'd enjoy talking with in person.
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Reviewed in the United States on September 13, 2023
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L. L. Roberts
Lowell, US
★★★★★ 5
Great sink organizer!
Good quality storage/organizer for the kitchen sink. It’s stable and can hold an assortment of dish cleaning products close to the sink. It has a plastic dish underneath to collect drip-off water. This is exactly what I needed to organize!
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Reviewed in the United States on April 29, 2026
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Jan Holder
Belleville, US
★★★★★ 5
Great kitchen organizer
I love this handy kitchen sink organizer! I like things to be neat and tidy. This little product does the trick! It holds my dish liquid, hand soap, brushes, disposal cover and my sponges. The size is perfect and it looks great next to my sink. The organizer is made of metal and is built very well. It even has a drip pan. No more stuff all around the sink. This keeps it all organized so well. Love it!
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Reviewed in the United States on July 18, 2025

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